
Directing
Jean-Michel Ribes (born 15 December 1946, in Paris) is a French playwright, screenwriter, theatre director, film maker and actor. Since 2002 he has been the managing director of the Théâtre du Rond-Point. Between 1982 and 1984 Ribes had directed Merci Bernard and since 1988 works on Palace. In 2008, Ribes had directed Batailles which he co-wrote with Roland Topor and next year became a director of the Un garçon impossible, a play by Petter S. Rosenlund and Roland Dubillard's Les Diablogues. In 2010, in Théâtre du Rond-Point he directed Les Nouvelles Brèves de Comptoir in which Jean-Marie Gourio had starred. In 2011, he wrote and directed René l’énervé - Opéra bouffe et tumultueux, on the music by Reinhardt Wagner. A year later, he returned to Théâtre du Rond-Point at which he directed play Théâtre sans animaux and Sébastien Thiéry's L’Origine du Monde in 2013. Source: Article "Jean-Michel Ribes" from Wikipedia in English, licensed under CC-BY-SA.

A quirky woman who spends her free time as a pilot has her purse stolen; a mysterious man finds her wallet, and they embark on a peculiar romance.

Inspector Leroux is investigating the owner of a contemporary art gallery Helen Duvernet who is suspected of being involved in trafficking of stolen paintings. He is both intrigued and attracted by the young woman, follows her everywhere and finally falls in love...

The plot in this story weaves around like a New Year's reveler at four in the morning, heading first in one direction and then in another, with the intention of going home if things would just stop moving. Bernard (Gerard Depardieu) is a doctor whose Hippocratic oath was a hypocritic failure -- the not-so-good doctor kills his wife because she is having an affair, and he kills her lover too. Then he joins the French Foreign Legion. On his way to the former French colonies in Africa, the plane he is in crashes, and Rossi, a "friend" on the plane with some overweight in carry-on money, shoots Bernard and takes off, leaving him for dead. He is nursed back to life and health by friendly villagers and just his luck, he not only manages to make his fortune in Africa, he also nabs a French passport from a dying man who will clearly not need it anymore unless the Pearly Gates have a French guard.


Ambitious Emma Eckhert successfully makes her way into a world previously reserved for men: that of high finance. She quickly becomes popular with small savers, but leads a scandalous life that will cost her.

The day he is released from jail, Serge is expected by four killers sent by Count Charles Varèse assigned to make him confess where he has hidden the jewels stolen during his last stickup. On the other hand the police inspector who arrested him offers him protection on condition he gives him the same piece of information. Serge refuses and is about to be tortured by Varèse's henchmen when Michel, a friendly hood, comes to his rescue. His friendship will result in... a heap of corpses! —Guy Bellinger

Abandoned by his wife, Bernard struggles to overcome his grief and settles in a residence for singles. Employed by "SOS Doctors", he provides night guards to occupy his insomnia. That's how he is brought one night to help a neighbor, Nadine Foulon, victim of discomfort in the elevator. It turns out that Nadine is also going through a difficult time, since her companion, Terry, a singer-guitarist, has left her. A professional photographer, she can not forget it and has since oscillated between depression and bulimia. Gathered by their pains of heart, these two beings will, with the wire of the confidences, become more intimate ...


Jean-Pierre Bacri was never happy about anything. But beyond the caricature of the grumpy man, from his apprenticeship years to his death in January 2021, this film tells the story of this quintessential Frenchman: a man turned towards others, an actor by accident, a moralist by vocation, who was left unaffected by flattery and false honors by success, and ready for all kinds of anger when it was necessary to speak out against injustice and stupidity. The film tells the story of how Jean-Pierre Bacri's life changed several times: from Algeria to France when he was eleven years old in 1962; from bank clerk to apprentice theater actor; from Pieds-noirs film star to screenwriter for Alain Resnais; and from Cannes playboy to Agnès Jaoui's mad lover, the most decisive encounter for his life as well as for his work

Reduced to poverty, a young man is taken in by a rich lady who asks him for some dangerous services in exchange.

Seven lonely lives in Paris: a middle-aged estate agent who believes a colleague is sending messages in video tapes she loans him; his co-worker whose Bible is close at hand in times of stress; her late-night charge, an angry, nasty bedridden old man; his son, a patient bartender; the bartender's best patron, an ex-soldier who's lost his moorings while his fiancée looks for a large flat for them; and, the estate agent's much younger sister, who answers personals and waits in cafés with a red flower pinned on her jacket. Will any connect? Can open hearts trump fears?

In this conventional, broadly comic farce of greed and royal matrimony, nearly bankrupt businessman Victor Harris is marrying Maria-Helena, a princess who comes with a dowry that is made up of one half of her island kingdom. Her father, the cowardly King Arnold III is counting on the money this marriage will bring him. The country is now almost bankrupt because of the king's gambling debts. As Harris and the king look forward to their illusory profits from the royal merger, other characters add some liveliness to the otherwise predictable story.

Three stories. A solitary sailor falls from his boat and washes ashore on a tropical island. While seeking rescue, he's found by a nearly naked woman who is playful and compliant. He decides to erase his signs of distress and remain on the island. What awaits? In the second, an adolescent searches for the words of a nursery rime he remembers bits of. His journey takes him into dreams, sexual awakening, and Oedipal fantasy. Third, a man of wealth in late-nineteenth century Paris hires a prostitute for the night. She's also cabaret performer and takes him to her room. He fears he's about to be robbed. What's her secret?

Un conservateur terrorisé par les plantes vertes, une mère plastifiée pour être exposée, un ballet de Saintes Vierges, des gardiens épuisés par Rodin, un ministre perdu dans une exposition de sexes, une voiture disparue au parking Rembrandt, des provinciaux amoureux des Impressionnistes, touristes galopins galopant d'une salle à l'autre, passager clandestin dans l'art premier, Picasso, Gauguin, Warhol, ils sont tous là dans ce petit monde qui ressemble au grand, dans ce musée pas si imaginaire que ça, valsant la comédie humaine jusqu'au burlesque.

Un conservateur terrorisé par les plantes vertes, une mère plastifiée pour être exposée, un ballet de Saintes Vierges, des gardiens épuisés par Rodin, un ministre perdu dans une exposition de sexes, une voiture disparue au parking Rembrandt, des provinciaux amoureux des Impressionnistes, touristes galopins galopant d'une salle à l'autre, passager clandestin dans l'art premier, Picasso, Gauguin, Warhol, ils sont tous là dans ce petit monde qui ressemble au grand, dans ce musée pas si imaginaire que ça, valsant la comédie humaine jusqu'au burlesque.

Georges Flavier, once renowned Parisian hairdresser, lives alone since the death of his son and the departure of his wife. One night, he saves a stranger from drowning in the Canal Saint-Martin.

In this conventional, broadly comic farce of greed and royal matrimony, nearly bankrupt businessman Victor Harris is marrying Maria-Helena, a princess who comes with a dowry that is made up of one half of her island kingdom. Her father, the cowardly King Arnold III is counting on the money this marriage will bring him. The country is now almost bankrupt because of the king's gambling debts. As Harris and the king look forward to their illusory profits from the royal merger, other characters add some liveliness to the otherwise predictable story.

A small, old-fashioned cafe in a suburban square, opposite the cemetery, the Hirondelle. Every day at half past six, the customers dance with their stories and tirades, totally amazing.

Rien ne va plus is a series of comedy sketches of disparate quality, on the social, cultural, and political foibles that make the French, French. Various settings and character types are given a once-over, including pseudo-intellectuals, punk bikers, right-wingers, and patrons of a low-end cafe.
The director of a pharmaceutical laboratory that has come back to life offers jobs to those who agree to have parts of their bodies devoured.

