Fiction is never very far from reality. A young man, of Portuguese heritage, decides to do a PhD based on the documentary The Good People of Portugal, a work from 1980, also directed by Rui Simões. This opens the door to a parallel between the reality of the film we see and that of PREC, the moment of the studied documentary and the contemporary world, with the young Michel in between.

This comedy brings Pierre Richard and Michel Piccoli together onscreen once again. In the story, former professor Henri Toussaint Piccoli has been locked away in a psychiatric ward for some years for trying to strangle his wife when he found her in bed with another man. Now she has a terminal illness, and wants some sort of reconciliation with him. His therapist (Richard) decides to permit him to visit with her, provided he comes along. Except for his wide mood swings and occasional outbursts of lewd muttering, the professor "passes" for sane fairly easily. Not so the psychotic (Dominique Pinon) who stows away in the psychiatrist's car, who constantly calls attention to the other two.

Three aging and failed comedians, Georges Cox, Victor Vialat and Eddie Carpentier, hit the road again with a lousy production of a lousy play, of course under the worst possible conditions.

After her son's tragic death, Helena abducts her employee, Lucian, and travels with him and her husband to scatter her son's ashes in Macedonia. Meanwhile, Lucian's lover struggles to provide for their son and break free from her dictatorial father.

The engagement of a young couple is spoiled by the antics of their relatives.

During the Second World War, Yvon joins the Gestapo to save his Jewish girlfriend, Stella, from deportation. When France is liberated, he has to answer for his past. Hunted, he decides to escape to Spain, but Stella refuses to go with him.

On August 5, 1944, in Brittany, civilians fell into the hands of the German army. Among them, Jean Palu, a man like the others, who looks back on his life. Between failure and illness, he paints a bitter picture of his life.

A billionaire Charles de Boisleve becomes a friend of a petty criminal Rachid after two of them meet in the supermarket.

In order to win over a tough dramatist at her next audition, a young actress turns to method acting to such an extreme that she slowly loses herself in the coveted role of a promiscuous bisexual self-destructive wild girl and starts sleeping around, provoking fights and cutting herself. Can she pull herself back from the edge of the abyss before it's too late?

Two physicians, one old and one young, fall in love with the same woman, Juliette, a quixotic hairdresser. First, she is with Raoul, the older one; then passion for Clément, the younger doctor, takes over. Raoul fights back, playing on Clément's guilt and Juliette's lack of self-assurance; then, Clément makes his case to Juliette, abandons his fiancée, and takes her to the provinces where he sets up practice and asks her to have a baby. She panics and abruptly leaves Clément, taking up with Raoul again. When she contracts Hodgkin's disease and the treatment does no good, Raoul believes she has the malady of love. Is there a cure?