Dieudonné receives his friend Patrick. The latter is in the midst of a depression following his divorce from his wife Sandrine. Dieudonné then comes to talk about couples' problems, romantic encounters, the effects of several years of married life, the role of a parent, children in the midst of divorce. In the course of his development, he even comes to the subject of war, religions, the attacks of September 11. In short, a whole program!

At the start of his show, Dieudonné talks about the event that, according to him, made the media start talking about him again, the baptism of his daughter Plume, whose godfather is Jean-Marie Le Pen. Dieudonné acted like an idiot, and he explains himself with his trademark biting humor.

The comedian, through a gallery of quirky and offbeat characters, paints a biting portrait of our society. Dieudonné tackles bankruptcies in all their forms: social, historical, animal...

Dieudonné, father of little Judas, talks to us about Jesus. What could be more natural! After all, Dieudo grew up in the light of Christ and, like a mirror, reflects his personal vision of Jesus back to us. A Jesus who is both the Son of God for Christians and also a prophet of Islam, foretelling the arrival of his messenger, Muhammad. For Dieudonné, Christians and Muslims share a common destiny: to laugh together, and to do so heartily!

Filmed at the Théâtre de la Main d'Or on October 22, 2010. Dieudonné returns with "Mahmoud", in what can be described as "a contemporary artistic testimony with a strong humorous content." He tells us about the incredible events that led him to meet the Iranian president, Mahmoud Ahmadinejad. He takes us back in time and transports us to the 16th century on a plantation in Martinique to discuss the courteous relationships between masters and their slaves. He also talks about the all-powerful and revered field of medicine... only to mock it, of course. And it feels good!

From politics to politicians, from the media to the justice system, from your neighbor to even himself, Dieudonné really targets everyone in an uncompromising portrait of our society, tinted with vitriol.