An American film-star and an unknown British actress meet on set in Rome. She is angry when he refuses to speak to her journalist father, but later they have a passionate relationship.

Anne Cestac accepts the obvious: her husband Julien, in his forties, has fallen madly in love with another woman. Annoyed, Anne sets out to find potential lovers.

The life of a "big" restaurant seen as a world unto itself, a world apart with its own inhabitants, rules, intrigues, movements, hierarchy, history and stories, internal and external relationships... an organic world that pulses, moves, shouts, cries, sings and, of course, eats. Here, the particularity of their vision lies in the stage set-up, which offers two separate, parallel spaces that interact with each other: the "visible" world on the dining room side, and the "underground" world on the kitchen side. At intermission, the spectator switches sides, seeing the same story from two radically different points of view.

With their faces of sweet lunatics or lighted beaufs, citizens of the ordinary or pochards between two wines, they interpret, in twos or threes, conversations seized on the zincs of the bistros or in the corners of our kitchens. A few minutes of delirium or absurdity. The Deschiens are the actors of Jérôme Deschamps's troupe, who, as usual, with his accomplice Macha Makeieff, track down the little nonsense of everyday life, between humor and ferocity.

Francis Farge, alias "The American" could have remained a man like the others but a strange obsession animates him: he feels American body and soul.