
Directing
Jean-Henri Roger (24 January 1949 – 31 December 2012) was a French film director, screenwriter and actor. He co-directed with Juliet Berto the 1983 film Cap Canaille, which was entered into the 33rd Berlin International Film Festival. Source: Article "Jean-Henri Roger" from Wikipedia in English, licensed under CC-BY-SA.

Caught in the stranglehold of debt and structural adjustment, Africa is fighting for its survival. In the face of disaster, representatives of African society bring an action against international financial institutions. The trial takes place in Bamako, in the yard of a house, among its inhabitants.

A union pensioner and his wife are robbed, but find that merely getting the assailants brought to justice is not enough for their consciences.

Recently the victim of a car accident, Paul, a teacher, is no longer the same man. He no longer shows any interest in his environment and, even more worryingly, he seems to have become impervious to all feelings, all emotions. His wife, Marianne, and his mistress, Luisa, are of little more interest to him than his students, which is to say very little. Desperate, Luisa meets Marianne to try to understand.

Documentary on the french actress Juliet Berto.

Two sisters, Camille and Madeleine, make up the story of a woman: Alice Constant, the servant of their grandfather who committed suicide at the age of 25.

Filmed clandestinely in Czechoslovakia on 16mm. It's one of the films Godard made with the Groupe Dziga Vertov - a Marxist film about the political situation after the '68 revolution.

Anita is a barmaid at the center of a community of street preachers, prostitutes, dealers and users. When a beloved friend (and young drug dealer) is caught by narcotics agents, Anita takes it upon herself to score for his struggling clients.

Paula Barretto (Juliet Berto) is caught in the underworld because her father was involved in the drug business, her brother is in the real estate scam, and her lover is an armed thief. Although she tries to get out of her corrupt and dangerous environment, it is not an easy task when even the police officers cannot be trusted, and the underworld has informants everywhere.

Paula Barretto (Juliet Berto) is caught in the underworld because her father was involved in the drug business, her brother is in the real estate scam, and her lover is an armed thief. Although she tries to get out of her corrupt and dangerous environment, it is not an easy task when even the police officers cannot be trusted, and the underworld has informants everywhere.

It's the beginning of the bullfighting season and all paths seem to lead from the arena straight to Lulu's bar. Lulu is radiant. When she was seventeen, and went by the name of Lucien, she headed off for more convivial surroundings.

Anita is a barmaid at the center of a community of street preachers, prostitutes, dealers and users. When a beloved friend (and young drug dealer) is caught by narcotics agents, Anita takes it upon herself to score for his struggling clients.

Paula Barretto (Juliet Berto) is caught in the underworld because her father was involved in the drug business, her brother is in the real estate scam, and her lover is an armed thief. Although she tries to get out of her corrupt and dangerous environment, it is not an easy task when even the police officers cannot be trusted, and the underworld has informants everywhere.

Anne Buridan is about thirty years old and likes challenges. Her last challenge is to make a movie on May 68. It's a challenge, not only because she will be forced to face a story that is not hers, but specially because her new boyfriend, Blaise, doesn't understand this idea, even more, he hates people that have participated at this event. Anne Buridan is a methodical person and even a bit obsessive. Nothing and nobody will make her turn away from her project. She starts to meet people that were figures of that period. She will start, evidently, with a woman, Marianne, who speaks amongst others, of Jean-Pierre Lucciani. The name is not unknown to her because it's the same as Blaise's. She will go see him right away. Jean-Pierre is Blaise's father alright. She goes back home and keeps the secret from Blaise. Anne Buridan just lost, without knowing it, control over this situation.

Filmed clandestinely in Czechoslovakia on 16mm. It's one of the films Godard made with the Groupe Dziga Vertov - a Marxist film about the political situation after the '68 revolution.

