
Acting
Jean Gabin Alexis Moncorgé (born Jean-Alexis Moncorgé), known as Jean Gabin (17 May 1904 – 15 November 1976), was a French actor and singer. Considered a key figure in French cinema, he starred in several classic films, including Pépé le Moko (1937), La grande illusion (1937), Le Quai des brumes (1938), La bête humaine (1938), Le jour se lève (1939), and Le plaisir (1952). During his career, he twice won the Silver Bear for Best Actor from the Berlin International Film Festival and the Volpi Cup for Best Actor from the Venice Film Festival, respectively. Gabin was made a member of the Légion d'honneur in recognition of the important role he played in French cinema. Gabin was born Jean-Alexis Moncorgé in Paris, the son of Madeleine Petit and Ferdinand Moncorgé, a cafe owner and cabaret entertainer whose stage name was Gabin, which is a first name in French. He grew up in the village of Mériel in the Seine-et-Oise (now Val-d'Oise) département, about 22 mi (35 km) north of Paris. He attended the Lycée Janson de Sailly. Gabin left school early, and worked as a laborer until the age of 19 when he entered show business with a bit part in a Folies Bergère production. He continued performing in a variety of minor roles before going into the military. After completing his military service in the Fusiliers marins, he returned to the entertainment business, working under the stage name of Jean Gabin at whatever was offered in the Parisian music halls and operettas, imitating the singing style of Maurice Chevalier, which was the rage at the time. He was part of a troupe that toured South America, and upon returning to France found work at the Moulin Rouge. His performances started getting noticed, and better stage roles came along that led to parts in two silent films in 1928. Two years later Gabin made the transition to sound films in a 1930 Pathé Frères production, Chacun sa chance. Playing secondary roles, he made more than a dozen films over the next four years, including films directed by Maurice and Jacques Tourneur. But he only gained real recognition for his performance in Maria Chapdelaine, a 1934 production directed by Julien Duvivier. He was then cast as a romantic hero in the 1936 war drama La Bandera; this second Duvivier-directed film established him as a major star. The next year he teamed up with Duvivier again in the highly successful Pépé le Moko. Its popularity brought Gabin international recognition. That same year he starred in Jean Renoir's La Grande Illusion, an antiwar film that ran at a New York City theatre for an unprecedented six months. This was followed by another of Renoir's major works, La Bête Humaine (The Human Beast), a film noir tragedy based on the novel by Émile Zola and starring Gabin and Simone Simon, as well as Le Quai Des Brumes (Port of Shadows), one of director Marcel Carné's classics of poetic realism. His rugged charisma could be compared with Humphrey Bogart and James Cagney. He divorced his second wife in 1939. ... Source: Article "Jean Gabin" from Wikipedia in English, licensed under CC-BY-SA.

A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.

An ambitious mobster plans an elaborate diamond heist while seducing the daughter-in-law of a ruthless mob patriarch as a determined police commissioner closes in on all of them.

A former bank robber is released after 10 years in prison. He gets help from a social-worker, but gets harassed by an old cop from his past.

A desperate woman, whose son is on trial for murder, blackmails the judge and kidnaps his wife.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

Tulipe, is an old man who lives alone in an old railway carriage in the Argentueil region of Paris. His main passions are gardening and oil painting, but he also has a secret source of income. His godson discovers that Tulipe is actually a master forger, producing perfect copies of 10 franc notes. His godson’s girlfriend sees this as an opportunity to get very rich – but she must persuade Tulipe to forge 500 franc notes. Assuming Tulipe’s agreement, his godson and his girlfriend buy an expensive new car and luxury villa in provincial France – but there is a cruel turn of fate in store for them when Tulipe strikes up a friendship with a millionaire playboy.

Whilst being transferred to a psychiatric hospital, a ruthless serial killer Gassot makes a break and goes on the run. He arrives in Marseilles, intending to escape abroad. Here, he falls for a young prostitute, Gerda.

An art dealer wants to buy a Modigliani, which is tattooed on the back of an old soldier.

Charles, fresh out of jail, rejects his wife's plan for a quiet life of bourgeois respectability. He enlists a former cell mate, Francis, to assist him in pulling off one final score, a carefully planned assault on the vault of a Cannes casino.

Julien Bouin, a former typographist, and his wife Clemence, who used to perform in a circus, hardly talk to each other in their small house, soon to be demolished. His cat Greffier being the only one he still gives affection to, he becomes the object of Clemence's anger.

Bum Archimède wants to spend the winter in prison, but to get there proves not to be that easy.

Whilst being transferred to a psychiatric hospital, a ruthless serial killer Gassot makes a break and goes on the run. He arrives in Marseilles, intending to escape abroad. Here, he falls for a young prostitute, Gerda.

Julien Bouin, a former typographist, and his wife Clemence, who used to perform in a circus, hardly talk to each other in their small house, soon to be demolished. His cat Greffier being the only one he still gives affection to, he becomes the object of Clemence's anger.







