A millionaire,in love with an innocent girl,does not want to be loved for his money.So he asks his secretary to take his place and together they go to the heroine's desirable mansion...a heroine whose uncle happens to be wealthy too.So where's the problem?Although handicapped by horrible old-fashioned ditties (the title track) sung by the male lead which make the viewer put his fingers on his ears ,or use the fast forward button. © dbdumonteil

Le Bouif is a popular figure on the Parisian racetrack. He has the patter, the aplomb, the bonhomie, which allows him to pass on indestructible pipes to the racegoers. The amazement is general when he is accused of murdering the person of his son-in-law and then suspected of having suppressed the owner of a stable. Faced with the stubbornness of the examining magistrate, but helped by sympathetic young people, the Bouif proves his innocence and, back on the lawn, measures his popularity.

Josette needs to marry within a year to get her aunt's money.Her fiance,an Englishman, has gone away .After getting permission from her godfather to do a "white marriage," she realizes that she really loves the godfather instead.

Sophie is the daughter of the concierge of a large building. One day, her father surprises her tenderly embraced by the viscount who is going to see his fiancee on the fifth floor. The concierge demands compensation but Sophie's fiance reclaims his beloved with authority.

Famous author Bretonneau gets his ghost writer Moluchet to impersonate the notorious criminal Jim la Houlette and pretend to steal a manuscript to boost the sales of their novels.

Secret de Polichinelle roughly translates as Open Secret. The "secret" in question is an illegitimate child, the offspring of young-and-foolish Henri (Bernard Lacret). The baby is adopted by its grandparents, Monsieur and Madame Jouvenol (Raimu and Francoise Rosay). At first taking charge of the child because it is their duty, the Jouvenols come to love the little nipper as if he were their own son. At this point, the film threatens to drown in a morass of sentiment, but the actors and the director manage to stem the bathos with some first-rate comedy vignettes revolving around the care and feeding of the bouncing baby boy.