A determined young woman goes up against the Moroccan traditions where the only way for a girl is marriage and children.

A family comedy about arranged marriage

A cafeteria worker of Arab origin falls in love with a French co-worker, much to everyone else's chagrin.

Benoît, a young provincial, arrives in the capital. He has left his family (mother, wife and child) in his native Charente. But for him, the difference in the standard of living is trying, and he loses his bearings among this crowd of anonymous people. A young woman, Myriam, crosses his path. But the encounter is short-lived, and Benoît returns home. A tragedy has occurred.

Pierre, a professional dancer, suffers from a serious heart disease. While he is waiting for a transplant which may (or may not) save his life, he has nothing better to do than look at the people around him, from the balcony of his Paris apartment.

Paul, a teenager in the underground scene of early-nineties Paris, forms a DJ collective with his friends and together they plunge into the nightlife of sex, drugs, and endless music.

In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.

Roland-Garros, 1981: For the very first time, a documentary team is allowed to shoot sequences in the backstage of the French Open of tennis of Roland-Garros. William Klein's camera takes us on the heels of the greatest players of the time: Björn Borg, Jimmy Connors, Ivan Lendl, Chris Evert-Lloyd, John McEnroe, Martina Navratilova, Yannick Noah, Guillermo Vilas... Miles of film. Historical pictures, a thousand and one details, a thousand and one unusual scenes. A declaration of love from a tennis lover.

A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.

Shocked by French président Nicolas Sarkozy’s claim that the African man has no history, filmmaker Cheikh N’diaye sets out to prove his royal heritage – tracing his grandfather’s path from Mauritania to Senegal, homeland of his warrior ancestors.