An oversized courthouse, in the heart of Brussels, would hide an initiatory journey. A secret passage would lead the members of a sect composed of politicians and architects who destroy Brussels to build a utopian city.

Picha's irreverent style has left a mark on 70s and 80s animation cinema. But where is he now? And how should we best approach his work as an iconoclastic cartoonist, animated film and tv series director and painter who once embodied a certain idea of outrageousness and subversion?