
Acting
Jean-Claude Brialy (30 March 1933 – 30 May 2007) was a French actor and film director. Brialy was born in Aumale (now Sour El-Ghozlane), French Algeria, where his father was stationed with the French Army. Brialy moved to mainland France with his family in 1942. He was an alumnus of the Prytanée National Militaire. When he was 21 years old, he went to Paris to work as an actor. In 1956, Brialy acted in his first role in the short film Le coup du berger (Fool's Mate) by Jacques Rivette. By the late 1950s, he'd become one of the most prolific actors in the French nouvelle vague and a star. He appeared in films of nouvelle vague directors such as Claude Chabrol (Le Beau Serge, 1958; Les Cousins, 1959), Louis Malle (Ascenseur pour l'échafaud, 1958; Les Amants, 1958), François Truffaut (Les 400 Coups, 1959), Jean-Luc Godard, (Une femme est une femme, 1961), Éric Rohmer (Claire's Knee, 1970), as well as in films of other filmmakers such as Jean Renoir (Elena et les hommes 1958), Roger Vadim (La ronde, 1964), Philippe de Broca (Le Roi de cœur, 1966), Luis Buñuel (Le Fantôme de la liberté, 1974), and Claude Lelouch (Robert et Robert, 1978). In 2006, he appeared in his last role, as the eponymous character of the TV film Monsieur Max, directed by Gabriel Aghion. Godard described him as "the French Cary Grant," while Brialy's self-described "life models" had reportedly been actor Sacha Guitry and director Jean Cocteau. Brialy directed a number of films, including Églantine in 1971, which was loosely inspired by his own memories of a happy childhood spent in Chambellay with his grandparents, and Les volets clos (Closed shutters) in 1972. He owned the restaurant L'Orangerie, on the Île Saint-Louis; he'd also worked as a TV presenter, a singer, and a radio host. During the presentation of one of his books, Brialy described himself this way: "I'm a boy who got lucky enough to do what I love in life". Brialy, in 1959, acquired a château in the commune of Monthyon, near Paris. There, he accommodated and entertained many friends from the cinema and the theatre, such as Jean Marais, Pierre Arditi, and Romy Schneider whom he'd met during the 1958 production of the film Christine. Schneider, after the 1981 fatal accident of her son David, found a "refuge from the paparazzi" in Brialy's home. French singer Barbara would often sing at the piano. Director Jean-Pierre Melville used the château to shoot the last scenes of his 1970 crime film Le Cercle Rouge, where Alain Delon and Yves Montand are killed by the police. In his books, the autobiographical Le Ruisseau des singes (The river of monkeys) (2000) and the memoir J'ai oublié de vous dire (I Forgot to Tell You) (2004), Brialy revealed that he was bisexual. ... Source: Article "Jean-Claude Brialy" from Wikipedia in English, licensed under CC-BY-SA.

Young provincial Charles arrives in Paris to stay with his cousin Paul while studying law. Paul is a decadent, bohemian pleasure-seeker who shows the meek, diligent Charles the thrills of city life. When Charles falls for Florence, one of Paul's acquaintances, relationships begin to shift.

A shallow, provincial wife finds her relationship with her preoccupied husband strained by romantic notions, leading her further towards Paris and the country wilderness.

A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.

On the eve of his wedding, on holiday on the Lake Annecy shore, a career diplomat visits an old acquaintance, perhaps a former girlfriend. Through her he meets an intense teenager, Laura, and then lusts after her sister, Claire. Whilst Laura attempts to flirt with him, his fantasy becomes focused on wanting to caress Claire's knee.

Catherine, a young British sexworker living in Paris, decides to start her own "company" after learning the basics of big businesscom from her clients. She encounters both interest and setbacks in her search for investors.

Julie Kohler is prevented from suicide by her mother. She leaves home, with the intent track down, charm and kill five men who do not know her. What is her goal? What is her purpose?

Marie, the charming daughter of Italian immigrants, has a dream : to become rich. In Roubaix, where she lives, she meets and marries small-time crooner Marcel Potier. Together they leave for the South of France where they live happily but poorly. Now, Marie hasn't forgotten her hopes of wealth and with this aim still in mind she pushes Marcel into becoming the swimming instructor of Achille Zopoulos, an oil tycoon.

Ambitious Emma Eckhert successfully makes her way into a world previously reserved for men: that of high finance. She quickly becomes popular with small savers, but leads a scandalous life that will cost her.

André Laroche, an industrialist, has just passed away. Face to his grave, as he is being buried, Anne de Vierne, the wife of a magistrate, confesses to her son François that Laroche was in fact Lupin and that he is his natural child. But he is not the gentleman thief's only offspring! Lupin had indeed another son by a housemaid, Gérard Dagmar, a dancer, magician and - occasionally - burglar. Which complicates the task of François who, to respect the last wishes of the testator, has gone in search of the treasure of Poldavia. For he keeps finding Gérard on his way and his efforts are constantly thwarted by his half-brother. Will Gérard prevent François from becoming the worthy successor to their father or will the two young men decide to join forces? That is the question.

A few stories about marriage and its problems. Antoine is about to marry Gisèle. His friend Julien, an established bachelor, desperately tries to convince him not to do it, recounting his own painful experiences.

On Monday June 20, 1791, in great secrecy, the royal family left the Tuileries Palace where they were prisoners of the Revolution. Marie-Antoinette wore a lady-in-waiting costume. It is very dark, very hot, the very first night of summer. But what happened between the departure from the Tuileries and the trap of Varennes?

One of the comtesse de Ségur's most popular works,it tells the tale of an orphan ,Charles,mistreated by his wicked old cousin Madame Mac Miche;nevertheless,Charles has many friends including sweet blind young Juliette and her sister Marianne, Mac Miche's maid ,Betty,her boyfriend Donald ,and even the judge. (by dbdumonteil)

The adaptation of Molière's comedy-ballet in three acts.

Elizabeth and her daughter Cecile spend their holidays at a lakeside resort in the French mountains. Elizabeth falls in love with a strange Italian, Giovanni, while young Cecile is courted by an apprentice cook. It seems that mother and daughter are drifting apart from each other, but then their holidays are over.

Elizabeth and her daughter Cecile spend their holidays at a lakeside resort in the French mountains. Elizabeth falls in love with a strange Italian, Giovanni, while young Cecile is courted by an apprentice cook. It seems that mother and daughter are drifting apart from each other, but then their holidays are over.

The beautiful Parisian courtesan Marguerite Gauthier (Cristiana Réali), who is called a "Lady of The Camellia" because of the preference for these flowers, has many devotees among Parisian aristocrats. He really loves one - young Armand Duval (Michaël Cohen). Under the influence of the beloved father's pleas, and despite himself, he declares to Armand that he no longer loves him. She is suffering from tuberculosis, but if possible, she is in company, and renews contacts with rich devotees. Armand tries to forget about her. One evening, at a party, their paths cross again.

The beautiful Parisian courtesan Marguerite Gauthier (Cristiana Réali), who is called a "Lady of The Camellia" because of the preference for these flowers, has many devotees among Parisian aristocrats. He really loves one - young Armand Duval (Michaël Cohen). Under the influence of the beloved father's pleas, and despite himself, he declares to Armand that he no longer loves him. She is suffering from tuberculosis, but if possible, she is in company, and renews contacts with rich devotees. Armand tries to forget about her. One evening, at a party, their paths cross again.

In the 17th century, under Louis XIII, the policy of Cardinal de Richelieu aimed at the definitive establishment of a monarchic power, and gave rise to a struggle against the great feudal lords, who favored a weak central power. Numerous conspiracies against the Cardinal were led by the high nobility. The one led by Henri Coiffier de Ruzé d'Effiat, marquis de Cinq-Mars, was the last and most famous of them.

1930. Adelaide is fed up with Paris and founds a 'retreat' for her women friends in a Breton port. They live well and take their pleasure seriously, until the attractive sailor Thomas arrives and nothing is ever the same again.

1930. Adelaide is fed up with Paris and founds a 'retreat' for her women friends in a Breton port. They live well and take their pleasure seriously, until the attractive sailor Thomas arrives and nothing is ever the same again.



