Paris, Kingdom of France, August 18, 1572. To avoid the outbreak of a religious war, the Catholic princess Marguerite de Valois, sister of the feeble King Charles IX, marries the Huguenot King Henry III of Navarre.

Middle-aged best friends Eddie and Patsy live in an endless haze of drugged, drunken selfishness. The duo leave no impulse unenacted and no lust unsated — be it for sex or the latest in designer clothing. Waking up from a night of drunken debauchery, the two dip right into a feast of champagne and caviar, much to the irritation of Eddie's elegant mother and her resentful daughter. As Eddie stretches an appalling pair of leopard-print leotards (complete with matching shoes, purse, and hat) over her massive rear end, she and Patsy learn of a handsome young rollerblading delivery boy who quickly becomes the object of their lust.

An actor is placed in dangerous situations and his fear will be broadcast to the television audience. The audience's emotions will determine whether he is sent into the future or the past.

A shaman from the South American rain forest visits France for a public relations campaign. In a hotel's elevator in Paris he meets a French good-for-nothing named Perrin he's fascinated with. He follows Perrin to his flat and although Perrin is not very enthusiastic about so much interest in his person, he lets the shaman spend the night in his flat. After an official meeting on the next day being part of the PR campaign the shaman suffers from a heart attack. Hardly being able to speak and laying in a hospital bed he demands to see Perrin. The latter is not very interested in meeting the shaman again. However it looks like it is to late for animosities as the shaman and Perrin seem to be tied mentally somehow since they've met in the elevator.

Unable to find her runaway son, a woman deceives two of her ex-lovers from her youth, a mild-mannered teacher and a tough journalist, that each is the real father in order to obtain their help.

When her husband returns from his work abroad with a guest, a young girl, his wife suspects a liaison. She leaves her home. Her boss takes her to the Côte d'Azur. They get closer during the long voyage and the man invites her to his marital home.

Jean, a married 40-year-old filmmaker, and his young working class lover, Catherine, engage in a circular series of spectacular blow-ups and tentative reunions, their mutual desire a fire that burns them again and again.

If he buys a gun, visits his wife's lover, and ends up savagely biting his dentist, Samuel Polaris is in bad shape. Very bad. Unless the others, the “normal” people – with their career plans, their adulteries, their arrogant incompetence – have fallen into a sort of collective madness. Who knows. Because he has no choice, because he is in love with his wife and because he refuses to resign himself to the worst, Samuel Polaris decides to regain his dignity. Even if, to do this, he has to steal from his psychiatrist the watch that Kennedy was wearing the day he was assassinated.

The film tells the story of a love affair between a poor poet and an equally poor seamstress in 19th century Paris.

Matou is an innocuous, gentle-looking man. He is married to a formidable, even a frightening woman, who is as dissatisfied with him as he is with her. He knows everything there is to know about restoring and authenticating manuscripts, particularly ancient ones, through his job at the museum. One day, it occurs to him that his skills could be put to use in a more personal way, and he embarks on a private career of re-arranging the documents of people who have had the misfortune to be married to the wrong people.