A successful artist, weary of Parisian life and on the verge of divorce, returns to the country to live in his childhood house. He needs someone to make a real vegetable garden again out of the wilderness it has become. The gardener happens to be a former schoolfriend. A warm, fruitful conversation starts between the two men.

When Katie meets Paco, they fall in love. From this an extraordinary child is born; Ricky, who quickly develops into something wonderful and not so normal.

Following the death of their miller father, his eldest son inherits the mill, the middle one a donkey, and the youngest a cat. While initially disappointed, the lad soon learns not only that the cat can talk but is quite resourceful.

Sylvie, a nearly sixty-year-old woman, has fallen in love with Michel, a thug she marries in prison. The couple dream of starting again with a clean slate by opening a flower shop. But Sylvie’s son Abel, convinced that Michel will fall into a life of crime, disapproves of this relationship.

Charles Baudelaire was one of the giants of 19th-century French poetry, and he earned his position among that nation's luminaries through the poems in one slim volume, entitled Les Fleurs du Mal (Flowers of Evil). A perfectionist to the extreme, he struggled with every word of those few poems for many years before he consented to see them published. When he did, six of them were condemned by the state censors as obscene. It was surely a powerful blow to him to have such a significant part of his life's work so rudely suppressed. This courtroom drama follows him at the 1857 trial at which he defended his works. The filmmaker has chosen to symbolically re-enact certain poems about the love of a woman as they are being read for the court. It is easy to imagine that, as was certainly the case for the trial of Oscar Wilde in England, this courtroom trial was a form of punishment for his publicly dissolute lifestyle.

A story about two couples, longtime friends in which both husbands engage in long-term affairs and, as the title says, ultimately one remains with his wife and one makes a new life with another woman.

Adrien does not see eye to eye with his patrician father about much. It is 1912, and the old man still believes in the old rules which strait-jacket "men of class." He believes that the elite have the right to conquer where they can, that they should refrain from publicizing their improprieties, and he is rabidly pro-military. Adrian, kicked out of his military school for his own improprieties (and hiding that from his father), is naturally drawn to Vicky a beautiful divorced woman and friend of the family who is staying at their mansion. The family tutor, a man of ordinary background (with some ideas which seem radical in this household) is similarly smitten. On the basis of their shared attraction, the two men form a friendship. Meanwhile, the object of their affection finds it diverting to toy with them.

Franssou, a charming Parisian English teacher, who shares part of her life with a boring middle-aged lover, dreams of another life. So, when she unexpectedly inherits 50,000 euros, she grasps the opportunity and goes to the French Riviera in order to take it easy in luxury. In the four-star hotel where she rents a room she comes across Stéphane, a strange guy who is in the process of arranging Elton John's next coming to the place. Intrigued by the noisy ostentatious fellow, she follows him until she finally comes into contact with him. She knows Stéphane is at bay and decides to take advantage of it.

A bunch of broke guys rob a rich con artist who has embezzled money from a charity.