A look at the life of activist, musician, and cultural icon Kathleen Hanna, who formed the punk band Bikini Kill and pioneered the "riot grrrl" movement of the 1990s.

Mayer’s film Medea takes its starting point from Pier Paolo Pasolini’s Medea of 1969. The ancient legend of Medea contrasts two worlds which are no longer compatible with one another – the old archaic world of Medea and the modern rational world of Jason. Both individuals, who confront each other here as representatives of their opposing systems and raise the great question of peaceful coexistence between cultures in times of globalization.

Queer culture and the arts would be much poorer without the presence and contribution of butch and stud lesbians, whose identity is both its own aesthetic and a defiant repudiation of the male gaze.

Pat, the evasive, androgynous character made famous on Saturday Night Live by Julia Sweeney, was an inescapable figure in 1990s pop culture. As a child, filmmaker Ro Haber became obsessed with Pat—a character whose popularity stemmed from making others uncomfortable by defying gender norms. Decades later, and now an out trans filmmaker, Haber still grapples with Pat’s legacy. Thirty-five years after It’s Pat first aired, Haber assembles a group of queer and trans comedians, writers, and even Sweeney herself to revisit the character. Through conversation and critique, they aim not to erase Pat but to reframe them, transforming a symbol of ridicule into one of reflection and empowerment.