This is the journey that Ángel Parra Orrego undertakes on the 100th anniversary of the birth of his grandmother Violeta Parra, proposing to reinterpret the album Las últimas Composiciones, recorded shortly before her death and which would become a fundamental and emblematic piece of popular culture in Latin America. To this end, she turns to her sister Javiera and her father Ángel Parra, and they call together different musicians and singers with whom they live and relate intimately what it means to reinterpret the great Violeta Parra and her work.

Filmed in super 8mm, it is Germán Bobe's first film. It is a sarcastic look at the world of a teenager and her daily life.

This was a man. He lived with his mother. He cared a manor house in the countryside of Chile. One day the man found a bone in the garden. The bone was bored. That was a bone flute. The man with the flute music play. And music song became. The voice of the song begging to seek the other bones of his scattered body. The man and his mother were in those ways of God and hell, looking for the bones that make up the skeleton of that Christian. And give him a Christian burial. And they saw what they saw, they lived what they lived. Many stories lived. And although they did not tell anyone, others told them.

"In Chile, when the sun rises, it had to climb hills, walls and tops before reaching the last stone of the Cordillera. In my country, the Cordillera is everywhere. But for the Chilean citizens, it is an unknown territory. After going North for Nostalgia for the Light and South for The Pearl Button, I now feel ready to shoot this immense spine to explore its mysteries, powerful revelations of Chile’s past and present history." Patricio Guzmán