Valeria (Manuela Pal) has changed his native Buenos Aires by Betanzos, a town of Coruña, in Spain from which his family. Eccentric, dreamy and fun, at 25 years old is in the most surreal emotional crossroads in his life: after the sudden death of her mature and attractive lover, Marcelo falls for the son of the deceased. Her friend Adela (Mary Bouzas), owner of the salon where they both work, will help clear up questions. A story about the universal desire to find their own identity, deciphering the collective love and live in a land that has nothing to envy to the boulevards of Paris.

A cartoonist and painter who can not stand out and make a living, among other things, as a photographer of news magazines and a beautiful young woman who comes to Buenos Aires from inside the country to try to make it as a model and actress, living a love as passionate as fraught with disagreements.

Shortly before his final return to Argentina, Juan Domingo Perón records his memories of living in exile.

Three people and a baby set off on separate journeys, along the same road; their disparate dreams and stories intertwine amidst the breathtaking deserted Patagonic route.

Mora and Roberta, a lesbian couple, want a child. But who will be the donor? The two decide that Mora's brother Felipe, Argentina's top turkey-inseminator, should be the lucky provider. Poor Felipe gets more than he bargained for when he flies in from the country. He wants to visit his girlfriend, to visit his sister, and to meet with a business partner. The ladies have another plan, a plan to extract their desire. Their hope is that Roberta will easily seduce Felipe after he consumes the buffet of oysters, Viagra, and other assorted snake-oil aphrodisiacs. Poor Felipe has a lot to digest in his one night in the city. He finds out that Faustina, his devoutly Catholic fiance, is pregnant. He learns that his sister is gay (and that she wants more from him than a visit). On top of all of this, his (hopeful) future business partner is poisoned. Nothing goes as planned during Felipe's hilarious night in town.

A vindication of what is most genuine about football in the midst of an increasingly dehumanized business.

The film tells two stories apparently very distant are slowly approaching each other. On the one hand is Babarimisa, a young man from Benin who suffers from a relentless disease for which seems to have no remedy. Desperate to save his mother, Morenike, a Yoruba priestess goes to invoke the power of the Orishas gods. Meanwhile in Argentina, Shantas is a young offender living in a marginal area tainted by the practices of Umbanda, a cult derived from African religions. None of us can even imagine the surprises that come in the destination.

Sebastián, an architect in crisis with his wife, occasionally passes through a small town. Mariela, an orphan girl, believes him to be the one sent by God for whom she has been praying and lies in town saying that he is her uncle and that he has come to take care of her. Sebastián begins to relate to Mariela and her past. The lie grows, Sebastián begins to doubt his true identity and Mariela, and the whole town, will try to prevent him from leaving.

The bad love, infidelity, and exhaustion put an end to a marriage after years of wear and tear in living together.