Katherine, a single, middle-aged woman, owns a small flower shop in the city. Vernon, a pathological liar, is her only employee. However, instead of working, Vernon spends his time following Katherine around the shop, far more interested in talking about Cliffs Notes than he is in doing anything useful. Somehow, Vernon can't seem get Katherine's attention, until his fictional 'Juliet' is replaced by a real female cab driver. Initially fascinated with the red streaks in her dark hair, Vernon uses 'Juliet' in an attempt to impress Katherine. Instead, Vernon's pursuit of 'Juliet' threatens Katherine, which only serves to drive Vernon closer to 'Juliet.'

Katherine, a single, middle-aged woman, owns a small flower shop in the city. Vernon, a pathological liar, is her only employee. However, instead of working, Vernon spends his time following Katherine around the shop, far more interested in talking about Cliffs Notes than he is in doing anything useful. Somehow, Vernon can't seem get Katherine's attention, until his fictional 'Juliet' is replaced by a real female cab driver. Initially fascinated with the red streaks in her dark hair, Vernon uses 'Juliet' in an attempt to impress Katherine. Instead, Vernon's pursuit of 'Juliet' threatens Katherine, which only serves to drive Vernon closer to 'Juliet.'

Christopher Wheeldon's Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Ezio Bosso and lit with the rich colours suggested by sunset. In Flight Pattern, Crystal Pite combines Górecki's haunting “Symphony of Sorrowful Songs” with a large dance ensemble to create a poignant and passionate reflection on migration. Between them, Medusa is new work inspired by the Greek myth, created for The Royal Ballet by the acclaimed choreographer Sidi Larbi Cherkaoui, which juxtaposes Purcell arias with an electronic score by Olga Wojciechowska.