In the Serbian drama "White, White World", the characters sing, but never dance. Formulated as a modern day Greek tragedy set in the decrepit eastern mining town of Bor, the movie follows a close group of alienated locals through misguided love affairs and other brash misdeeds. But the songs feature no choreography or other stylish methods of breaking the harsh, downtrodden tableaux.

Lidija is working for a dubious real estate company. It is her job to protect the construction site’s image and cover up the dirty tracks left by Serbian turbo-capitalism. But when the workers rebel, her complicity is put to the test.

The main story is about two twenty year old guys who spend day in a remote suburb of Novi Sad. The are gathering money to go to seaside for the very first time since they finished primary school. Despite all the signs that this will be just another autumn day, on this trip they will experience the moment that will change their lives forever.

The story of the film is set in the period from the 1940s until today in the Pannonian plain (the plain in the Central Europe), in an area of elusive boundaries, mysterious and unstable spiritual identity. The witness of the time is a Jewish boy Benya Cohn who, with his eye wide open, remembers the tragedy of his family, in the shadow of the Holocaust, concentration camps and new wars.

Tina (28) lives in what appears to be an idyllic marriage in town on the Adriatic coast. She is a housewife who takes care of their six-year-old daughter, while her husband Frane (32) provides for the family. Their relationship begins to change when Tina expresses her desire to complete the college education she had to abandon due to pregnancy. Despite initially consenting and supporting her, Frane starts showing disapproval, initially through minor acts of sabotage. Over time, conflicts become more frequent, and arguments turn increasingly violent.

Ena, a 10 year old girl, who lives with her young mother and grandmother, has a constant urge to eat something sweet, and she never actually gets to eat some, by the end of the day ending up having a different “culinary”experience with her friend Ado who is in the eve of moving to Frankfurt.

Sanela, a Montenegrin of Muslim background who left the former Yugoslavia in the 1990s after her father was kidnapped and killed alongside other Muslims, comes back to the Balkans after twenty years abroad. She has betrayed her origins, erased her own culture, and become a true Westerner. They say the past is a foreign land and that the one who departs and the one who returns are not the same person.

On the day of an inauguration to head the family business Stane confronts marriage, love and patriarchy.

After years spent in Belgrade, Janko returns to his half-deserted village, the home of his widowed mother Milica. The latter sincerely hopes that Janko has come back for good; her son, however, has other plans.

In the heat of a summer day, Draginja discovers a dead body that resembles her. In the heat of a summer day, Draginja hires a fake husband to show off in front of her friends. In the cold of a winter night, Draginja roams the streets hoping to recover her lost memory. Through three different life possibilities, a middle-aged woman tries to get out of her skin.