For the sake of love, Vincent has followed Barbara to New York. But she wants nothing more to do with him. Obsessed with the idea of winning her back, he decides to see things through to the bitter end...

A Slovenian filmmaker-botanist and a Japanese neuroscientist join forces to study an unusual agricultural document from the mid-20th century. The manuscript describes the case of a pear tree from a small village on the Yugoslav-Italian border, which was believed to be holding miraculous power to defy time.

At a party in Barcelona, Helena hopes to meet an old lover from who she is still in love. While the night moves forwards, her initial sensuality becomes disdain.

French filmmaker Armel Hostiou discovers he has a double in Kinshasa. Someone has created a fake Facebook profile in his name to hustle aspiring actors. So Armel heads to Congo’s vast capital to track him down, and there begins one of the wildest and most unpredictable films of the year. An elementally suspenseful and wildly entertaining detective story about a white filmmaker on foreign ground. But also a story which with hilarious self-irony and in one twist after another turns into a darker story about the internet, identities and post-colonial struggles in the 21st century.

A freighter crosses the ocean. The hypnotic rhythm of its gears reveals the continuous movement of machinery devouring its workers: the last gestures of the old sailors’ trade disappearing under the mechanic and impersonal pace of 21st century neo-capitalism. Perhaps it is a boat adrift, or maybe just the last example of an endangered species. Although we don’t know it, the engines are still running, unstoppable.

In the 2014 municipal elections, at Saillans in the Drôme department, a citizen electoral list carried the day based on the project for participatory democracy. Great hopes are kindled by this “Republic of Saillans”. Five years later, as the next elections draw near, the village meets to make a first assessment of this political experiment.

«Bestiaries, Herbaria, Lapidaries» is an ‘encyclopaedic’ documentary, whose non-human protagonists tell about us humans. The film is divided into three volumes, each dealing with a single subject: animals, plants, stones. In this tripartite vision, each of its segment is a tribute to a specific genre of documentary filmmaking. Through the three volumes, a single dramaturgical body emerges, that stages a process of admission of responsibility, a process of maintenance and protection, and finally a process of rediscovery of a common and fundamental value: care.

A nun is called upon to adopt her 15-year-old nephew, and as a consequence religious, familial and sensual love become entangled.

Landscapes of Resistance traces a journey through the memories of antifascist fighter Sonja (97), the first Partisan woman in Serbia, who was also one of the leaders of the Resistance movement at Auschwitz. We make her story travel through time towards the bodies of the new generation of antifascists, bespeaking that it is always possible to think and practice resistance.

74-year-old dancer Sonja Vukićević moves through socialist-modernist spaces, her body echoing Yugoslavia's last mass performance.