A Czech ship's doctor accidentally meets his fellow expatriates on a tropical island. Under his influence, a sympathetic young woman, who has gone abroad with her sickly old father and her selfish and unprincipled husband, decides to return to her homeland...

High school teacher Jiří is torn from his solitude and everyday life by an unexpected nighttime visit from his beloved younger sister, former seamstress Růžena. She tells her brother that she has run away from her husband Fanda, a textile merchant, because of his greed and vulgarity. However, Jiří later learns from his other sister, Tylda, that Růžena spent a lot of money and left her husband for a dragoon captain. The captain has now rejected his pregnant lover because he is getting married. Disappointed, Růžena believes that her brother has turned away from her because of her lie, and she decides to take a desperate step...

The day’s work never ends for a guard worth his salt, even when the gallery closes at seven. And Vašek is a perfect example, at least until he meets Ginger – a femme fatale who has her own plans where he’s concerned. Love turns this nice lad into a thief: armed with a false moustache, sunglasses and a stolen painting, he gets on a train and it remains to be seen whether or not his journey to Rome is paved with good intentions. The train compartment is full of passengers keen to impart their life stories – to him or to anyone who’ll listen. The withdrawn young man pays close attention to it all, even though he has plenty to worry about as it is. The police and a bunch of crooks are hot on his heels and it’s difficult trying to give them the slip with a hefty painting in tow.

Story of a man who, at the end of the 1940s, attempted to cross the Czechoslovak border illegally like many others to escape the communist regime and became a victim of the historically documented game of the security forces of the totalitarian regime, the so-called Kameny action. The project of the Miroslav Ondříček Film Academy in Písek is the debut of screenwriter and director Martin Kopp.

The story of two sisters from the Slovak-Hungarian border who, after a long separation, reveal the common moments of their complicated childhood. They return to a bleak landscape and an abandoned hotel, forced to deal with urgent questions of responsibility towards themselves and their loved ones.

A love story which unfolds over three days and nights on the outskirts of the metropolis. Seventeen-year-old Ema (Dorota Nvotová) breaks up with 'dude' Viktor (Lukás Latinák), has a fling with future pilot Karel (Mário Kubas), and meets a real man (Ondrej Vetchý), a taxi driver without a taxi. In the tangle of relationships, the characters sometimes have an opportunity to share their feelings, but sometimes they simply pass each other by. The story is told through Ema's eyes as she observes the world around her while searching for love, fun, and joy. But she's not the only one looking for happiness, nor the only one who finds it hard to avoid hurting others in the process. Ema's abandoned mother (Jana Hubinská) looks for another chance for love, while Karel's parents try to put long-lost meaning back into their marriage.

The story of František Stára, a recovering alcoholic, concertmaster, and composer. After returning from alcohol rehabilitation, he quickly realizes that his euphoric determination to start over is a tragic illusion. His wife has moved out of their apartment and found another man. A similar fiasco awaits him at his former job and later during his short stint at an elementary art school. At the most difficult moment, when František's private hopes and professional plans are collapsing and he resigns, he is selflessly helped by his former fellow patient from the clinic, Eda Mandík. This man, himself weak, inconsistent, and irresponsible, with unexpected and self-destructive devotion, gives up his own personal happiness and energetically spurs his flagging will to save his only friend. The price Eda pays for this act is not small, but his sacrifice was meaningful.

Slovakia, on the eve of the outbreak of World War II. The family of the young Jewish Martin Friedmann gathers to celebrate his bar mitzvah and make a solemn promise that they will all meet again a year later around the same table; but the storms of war and anti-Semitic fanaticism will lead each of them down very different paths.

Mária, a retired teacher, one fine day decides she no longer wants to feel like a cow, and when not even the mayor helps her against the arrogant source of local evil, she obtains a gun and resolves to do what most of us occasionally think of but immediately banish from our minds. Very soon, however, she discovers that just as murder is morally complex, it is equally complex logistically, despite her former pupil, now on probation, offering her this priceless life advice: “Crime only looks simple, Mrs. Teacher, but then something always goes to shit.”

Film crew on the road: Director (Jaroslav Plesl), his Producer (Simona Babcáková), and their Director of Photography (Jirí Vyorálek) and Sound Arist (Johana Svarcova). Starving artists who already have a number of films to their names, Czech Lion award-winning films, excellent reviews and have been screened at numerous festivals, but they don't have audiences. Their next collaborative effort - the Director's lifetime dream - is quickly becoming oblivion because he failed to win a grant, which means it won't be made. And so the frustrated Director and his colleagues await their chance among record-holders of curious disciplines such as crawling with a squash racket or collecting four-leaf clovers. How will the collision of these two worlds end? What will the Director's next film be about?