
Acting
Jaroslav Dušek je v první řadě improvizátor, divadelní herec a režisér, dále pak filmový herec, moderátor, libretista a scénárista. Po gymnáziu učil autorské herectví a jevištní improvizaci na Lidové konzervatoři, dva roky byl asistentem Ivana Vyskočila, který svým pojetím autorského divadla Duška výrazně ovlivnil. Po roce 1989 působil na Konzervatoři J. Ježka. Učí na Famu, příležitostně na Jamu a Damu (mezi jeho žáky patřili například Ester Kočičková nebo Jiří Macháček). Duškovy aktivity se rozhodně neomezují jen na filmové herectví, ostatně jeho stěžejním projektem už léta zůstává divadlo Vizita, založené společně s Janem Bornou v roce 1981. Přesto je v posledních letech poměrně často obsazován, většinou do komediálních rolí. Jeho herectví lze těžko popsat jako civilní - nejpřesvědčivější je v rolích, které vyžadují jistou dávku stylizace nebo jsou dokonce až na hranici grotesky (Vorlův muzikál - rytmikál KOUŘ, VRAŤ SE DO HROBU). Velmi dobře se povedlo využít Duškův komediální talent Janu Hřebejkovi (neznámější role ve filmech PELÍŠKY s glosou "Přišel jsem s nabídkou kvalitního sexu", MUSÍME SI POMÁHAT, PUPENDO), objevil se také v oscarové nominaci ŽELARY, nízkorozpočtovém hororu CHOKING HAZARD nebo ve Švankmajerově filmu ŠÍLENÍ. Komu připadá Dušek zajímavý ve filmech, měl by se jít podívat na jeho divadelní představení. Bude nadšený. Již zmiňované divadlo VIZITA nabízí výjimečný zážitek, navíc pokaždé jiný. Během představení, která začínají jako čistá improvizace, má divák (oprávněný) pocit, že je přímým svědkem tvorby, je vtažen do sledu absurdních slovních hříček, rychlých změn nálad a postav, do rozvíjení, opouštění a kombinování motivů, které se mohou, pokud jsou nosné, rozvinout v delší dramatický příběh. Delší, vláčné tempo je střídáno nesmírně zábavnými dialogy - publikum se nezřídka baví jako v zábavných televizních pořadech, vysílaných v sobotních prime times, tady je to ovšem bez dotáček... Do divadla Vizita se přesto nechodí za humorem, ale hlavně za možností vidět při tvorbě výrazné osobnosti, které dokáží při dobré konstalaci diváka dopravit do kouzelně fantaskního prostředí, o kterém se těžko vypráví, pokud je člověk nezažje. S Duškem často hraje Martin Zbrožek, dále pak Pjér la Šéz a Radomil Uhlíř. K představení neodmyslitelně patří bubnování Alana Vitouše a práce se světly Viktora Zborníka. Třikrát po sobě, v letech 2000-2002 moderoval slavnostní ceremoniál Českého lva. Osobitý styl způsobil rozruch hlavně v prvním roce. Napsal libreta k operám Opera La Serra (1994) a Nagano (Národní divadlo, Cena Alfréda Radoka - česká hra roku 2004), pro televizi připravil pořad Taxi, prosím s Janem Krausem a namluvil dětský animovaný seriál O Kanafáskovi. V roce 2003 hrál ve slavné one man show Roba Beckera Caveman v klubu Lávka. Na stejné scéně vystupuje v Ruizových Čtyřech dohodách. Režíruje v Dejvickém divadle a v Divadle v Řeznické (Král Ubu).

A man takes up residence with a mysterious marquis and is soon persuaded to enter into an asylum for preventative therapy. Things are not what they seem, and the marquis may be even more sinister than what the young man might have predicted.

Operation Danube was the cover name for the invasion of Czechoslovakia by Warsaw Pact armies in August 1968. The fleet of Polish tanks which arrive to liberate their neighbor, ostensibly threatened by a counter-revolution, includes the old tank nicknamed Ladybird, which is the last to leave the barracks.

In 1943, a childless couple, the Čížeks, decide to hide a Jewish refugee, David Wiener, the son of Čížek's former employer, in the secret pantry of their apartment. Čížek is aware of the danger into which he has brought his household and his neighbours, but he takes helping his fellow man in need for granted. But at the same time, as a largely unheroic hero, he is dying of fear. His personal situation is greatly complicated by the approaching end of the war, when he faces danger from both the Germans and his "honest" fellow Czechs...

Two families, Sebkovi and Krausovi, are celebrating Christmas, but not everyone is in a good mood. The teenage kids think that their fathers are totally stupid, and the fathers are sure that their children are nothing more than rebels, hating anything they say.

Andrew is a tough businessman and an arrogant workaholic. He runs a large, successful company in Prague. The meaning of his life is money. Ondřej has just negotiated the deal of a lifetime in Nebraska with a wealthy investor who will finance the construction of luxury residences on the outskirts of Prague. On his way back from America, the plane flies over a reservation where an Indian chief is being buried. The spirit of the Indian rising to the sky crashes into the plane and inadvertently becomes incarnate in Ondrej. And this spirit has decidedly different ideas about Andrew's life and values.

Artist Bedřich Mára (Bolek Polivka) is unable to find much secure work due to his public antagonism toward the ruling Communist Party. He has a wife and two children. Life begins to change when art historian Alois Fábera (Jiři Pecha) begins working on a piece about Bedřich, leading to a job offer from a Party official. Things are looking up, until the wrong people hear portions of the historian's writing.

Stories about parent-child relationships, fate, and the unknown forces that guide our steps unfold across several continents. A Japanese businessman wants to reconcile with the daughter he abandoned as a child and sets off with her on a journey to the Himalayas. Like him, a single mother in the Czech Republic receives a mysterious letter with important news. A painter and recovering alcoholic meets a beautiful woman and with her an unexpected opportunity for family life. A writer takes his friend and their inner demons on an expedition to the Indonesian jungle. A priest in New York has to deal with strange dreams, and an old man waits for his son to visit him in a remote place somewhere on the Baltic Sea coast. Each of the heroes faces a fundamental change in their lives, and their actions can influence the story of the others. Their separate journeys begin to intertwine and eventually merge into one great story of life.

A day before Christmas Eve, a young, inexperienced doctor starts his first night shift on his own. All of his more skilled colleagues have left to spend some time with their families. There are no signs which would indicate that this calm night will change into a struggle for not only a child's life, but also a professional and personal credentialing.

The film is based on a legendary school film of Tomáš Vorel, called INg (1985). The storyline stays the same - a young engineer finds a new job and wants to work, this proves to be impossible in the last days of the communist era.

When self-help guru Dr. Reinis (Jaroslav Dusek) led his students on a retreat to ponder the meaning of life, he had no intention of leading them all to their doom. But when gut-munching zombie woodsmen emerge, the group finds itself locked in mortal battle. Alternately sickening and silly, this gruesomely hilarious Czech horror flick co-stars Jan Dolansky, Eva Nadazdyova, Anna Fialkova and Eva Janouskova.

Don Miguel Ruiz reveals the source of limiting beliefs that rob us of joy and lead to unnecessary suffering. Based on ancient Toltec wisdom, the four agreements offer a powerful code of conduct that can quickly transform our lives into a new experience of freedom, true happiness, and love. A film recording of the theater performance from May 14 and 15, 2006, supplemented by numerous illustrative black-and-white film materials from private family archives.

Don Miguel Ruiz reveals the source of limiting beliefs that rob us of joy and lead to unnecessary suffering. Based on ancient Toltec wisdom, the four agreements offer a powerful code of conduct that can quickly transform our lives into a new experience of freedom, true happiness, and love. A film recording of the theater performance from May 14 and 15, 2006, supplemented by numerous illustrative black-and-white film materials from private family archives.

A bitter comedic-drama centering around Tomas, a former promising young director who must cope with a commerce driven world he no longer wants to participate in.

A bitter comedic-drama centering around Tomas, a former promising young director who must cope with a commerce driven world he no longer wants to participate in.

