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Documentary about Barrandov studios.
Documentary about the making of Vera Chytilová's film DAISIES
A bachelor named Faun with a Don Juan complex, seized with a hypochondriac's fear of the ineluctable approach of death, enters a race against time's passage. Faun's sexual love is imbued with the narcissistic vanity of a self-satisfied bacchant who even towards old age can't manage to forgo his lifelong pose as an irresistable seducer of women. He desperately searches for meaning in superficial, fleeting sex.
Eleven disparate adolescents, gathered for a skiing camp at an isolated winter resort, find themselves preyed upon and set against one another by their three mysterious instructors.
At a village railway station in occupied Czechoslovakia, a bumbling dispatcher’s apprentice longs to liberate himself from his virginity. Oblivious to the war and the resistance that surrounds him, this young man embarks on a journey of sexual awakening and self-discovery, encountering a universe of frustration, eroticism, and adventure within his sleepy backwater depot.
In post-WWII Communist Czechoslovakia, several characters considered bourgeois are sentenced to work in a junkyard for rehabilitation. Among them is a young man who pines for a female convict.
Prague, Czechoslovakia, during the inter-war period. Jan Dítě, a young and clever waiter who wants to become a millionaire, comes to the conclusion that to achieve his ambitious goal he must be diligent, listen and observe as much as he can, be always discreet and use what he learns to his own advantage; but the turbulent tides of history will continually stand in his way.
The main characters of the film, inspired by director Soukup's own experiences at the Škodovka factory in Pilsen, are two inseparable friends who, after graduating from the industrial school, join a large engineering plant. Here they spend their first year of post-graduate life, where their vague ideas and ideals clash with their completely different life experience. In addition to their conflicting work experiences, Ondřej and Cyril have to deal with their own personal problems. They have big plans for the future, but their dreams are unexpectedly interrupted by a tragic event.
Kinoautomat was the world's first interactive movie, conceived by Radúz Činčera for the Czechoslovak Pavilion at Expo '67 in Montreal. At nine points during the film the action stops, and a moderator appears on stage to ask the audience to choose between two scenes; following an audience vote, the chosen scene is played.
A verger, who likes to dress as a priest, is invited, by one of the villagers, to be the pastor at a vacant church. The atheist teacher resents the pastor, and tries to embarrass him in various ways, including being caught with the local girl, Majka.
In an unusual, apolitical approach, director Jaromil Jires has fashioned a standard drama that features an older lawyer with failing health who goes to practice in the countryside. His series of odd court cases reveals more about the human condition than about law. In one of these litigations a wayward nephew has cheated his elderly aunt out of her savings. In court, the nephew insists the money was a gift, but his aunt explains she only gave him the money as a loan. Although the lawyer technically wins the case, everything of value seems lost in the meantime. His services are paid for in rabbits because the aunt has no currency, and in the end, the nephew cons his aunt into parting with her savings anyway. Other cases expose similar types of petty corruption.
Biography of Karel Čapek.