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People in Czechoslovakia perceive the events of February 1948 differently. This movie tells how they behave depending on their views, beliefs and character.
Those who take too long to choose their life partner usually take too long - so goes the old saying. Even a long indecisive girl, who is looking in vain for someone who would fully impress her, is convinced of its truth...

Even under socialism, it was not advisable to cross the line between rich and poor. When a mason's apprentice falls in love with a girl from a wealthy family who lives in a magnificent villa during his first thug, he can hardly expect his feelings to be fulfilled. The schematic and lifeless depiction of the young generation has hardly contributed to a truer view of contemporary reality.

Ten-year-old David joins a sailing club. He trains hard and helps repair the sailing boats, but people have to take turns actually sailing. The club chairman Vala wants David to sail with his son Olda. Olda's previous team mate Béda has grown too fast, but with little David Olda could win a place on the regatta to Finland. Olda is arrogant and accustomed to winning with little effort; he bullies David and calls him "Greenhorn". He makes David his servant and blames him when things go wrong.

A group of jolly young people work in the Prague Tesla factory, also spending most of their leisure time together. One of them, guitar player Zdenek, begins to shun his friends' company. He has fallen in love with Vera, who does not belong to the group. The happy-go-lucky young man already has several acquaintances and has his own method to get a girl: to take his motorcycle, his guitar and a bottle of wine and take her to a rented houseboat. Vera, however, is different and gets angry at Zdenek. But she is fond of him and thus eventually spends a whole evening with him on the houseboat. At a preventative medical examination, the doctor tells Vera she is pregnant.

A marquee stands on a sprawling Prague housing estate and is home to two young bricklayers, who have all sorts of life experiences waiting for them in the city. Around the two rural bricklayers absorbed by the big city, the entertainment is more than a little embarrassing, toothless, revealing that at the height of normalisation, even the jolly genre of drama fared poorly, and any satirical allusions were especially undesirable. With no sense of humorous exaggeration and no wittily punctuated plots, the story unfolds, showing how the characters, living in a marquee standing on a sprawling estate, face all the pitfalls of the "big world"...

Little Péťa visits his grandfather in the Krkonoše Mountains, where a swarm of bees settles on a tree. When Péťa disturbs it, the entire swarm attacks him, leaving him in a deep coma. Ordinary treatments fail, so Dr. Vrba insists on a beekeeper’s blood transfusion. Grandpa’s blood type doesn’t match, prompting a frantic search—ambulances, authorities, even foreign donors—to find a suitable beekeeper. After multiple transfusions from various volunteers, Péťa shows signs of recovery. With dawn breaking, hope returns as he awakens.

Even under socialism, it was not advisable to cross the line between rich and poor. When a mason's apprentice falls in love with a girl from a wealthy family who lives in a magnificent villa during his first thug, he can hardly expect his feelings to be fulfilled. The schematic and lifeless depiction of the young generation has hardly contributed to a truer view of contemporary reality.

Stay on international pioneer camp in Bulgaria will take three children so much that he decides to still enjoy swimming - and missed the train. Two boys and a girl, then spend an exciting event when going home on their own. Usually educational overtones are attenuated this time, highlighted the contrary, courage and ability to help you in any situation.

Stay on international pioneer camp in Bulgaria will take three children so much that he decides to still enjoy swimming - and missed the train. Two boys and a girl, then spend an exciting event when going home on their own. Usually educational overtones are attenuated this time, highlighted the contrary, courage and ability to help you in any situation.

Even under socialism, it was not advisable to cross the line between rich and poor. When a mason's apprentice falls in love with a girl from a wealthy family who lives in a magnificent villa during his first thug, he can hardly expect his feelings to be fulfilled. The schematic and lifeless depiction of the young generation has hardly contributed to a truer view of contemporary reality.

A marquee stands on a sprawling Prague housing estate and is home to two young bricklayers, who have all sorts of life experiences waiting for them in the city. Around the two rural bricklayers absorbed by the big city, the entertainment is more than a little embarrassing, toothless, revealing that at the height of normalisation, even the jolly genre of drama fared poorly, and any satirical allusions were especially undesirable. With no sense of humorous exaggeration and no wittily punctuated plots, the story unfolds, showing how the characters, living in a marquee standing on a sprawling estate, face all the pitfalls of the "big world"...

Police find a girl with a bleeding face in a small town park at night. First the girl, a textile factory worker Jana, refuses to talk, and then she decides to tell the truth. After her father's death she, by herself, takes care of her younger brother called Pinda. She does not like the influence that a gang of older boys from the factory exercise over her brother. The gang leader Jirka, called King, is admire by local girls whose number exceeds boys in the town because there are many textile factories where only girls are working. They easily yield to him and then he easily gets rid of them. Jana is a hard nut for him. She refuses his purposeful courtesy and thus she unintentionally gets his attention. King inspires the gang on how to get money by stealing textile from the factory warehouse.