Jaque Catelain | WatchedThis
Jaque Catelain
Acting
Biography
Jaque Catelain was a French actor who came to prominence in silent films of the 1920s, and who continued acting in films and on stage until the 1950s. He also wrote and directed two silent films himself and was a capable artist and musician. He had a close association with the director Marcel L'Herbier. He was born as Jacques Guérin-Castelain in Saint-Germain-en-Laye. His father was then the mayor and also moved in literary and theatrical circles, which allowed the young Jacques to encounter many famous names in his childhood. He showed early enthusiasm for the arts and music, and at the age of 16 he entered the Académie Julian in Paris to study fine arts. With the outbreak of war in the following year, he changed direction and chose to study acting at the Conservatoire, enrolling in the class of Paul Mounet, before being mobilised into the artillery. In 1914 Catelain met Marcel L'Herbier, then a writer and critic, who became a major influence on his life and career, and with whom he formed a lifelong friendship. When L'Herbier began directing films in 1917, Catelain became his leading man of choice and starred in twelve of his silent films, starting with Le Torrent, and they made Catelain into a leading star who was in demand to appear in foreign films as well as in productions of other French directors. In 1925 he was offered a seven-year contract by MGM to work in America, but he turned this down. Jaque Catelain's activities in this period extended beyond acting. When Marcel L'Herbier set up his own production company Cinégraphic in 1922, its first project became Le Marchand de plaisirs which Catelain directed as well as acting a double role in it. In the following year he wrote and directed La Galerie des monstres (1923/24). Both films were successful enough to cover their costs. He devised controversial make-up for some of the actors in L'Inhumaine, and his artistic skills were put to further use in two set designs for L'Argent. As a pianist he would sometimes step in to provide improvised accompaniment for previews of L'Herbier's films. Catelain successfully made the transition from silent to sound films, starring in L'Herbier's L'Enfant de l'amour (1929), but during the 1930s he took fewer leading film roles and started to act in the theatre. In February 1933 he married Suzanne Vial, a friend since childhood who had become a production assistant to L'Herbier in the 1920s and continued working with him until 1944. Soon afterwards in 1933/1934 he was employed by the daily newspaper Le Journal to go to Hollywood to carry out a series of interviews with leading personalities such as Chaplin, Stroheim and Sternberg. In May 1940, Catelain left France for a four-month theatrical tour of South America, but within a month France was occupied by the Germans and his absence lasted for six years. In Buenos Aires he became so ill with pneumonia that he was given the last rites, but he recovered and went to Canada for the next three years for work in the theatre and propaganda broadcasts. In 1943 he was invited to Hollywood and remained there for a further three years. He returned to Paris in 1946, and resumed an occasional career in films, appearing in minor roles in three of Jean Renoir's films in the 1950s. In 1950, he published a biography and appreciation of the work of Marcel L'Herbier. Catelain died in Paris in 1965.
Filmography Movies
Acting
Monsieur de Pourceaugnac
Two young lovers. An arranged marriage. An older groom. The lovers develop a plan to convince the groom that she is unworthy and also to discredit him. A surprise ending convinces the father that he should bless the lovers' marriage.
La vocation
The Tomboy
The eponymous garçonne or flapper is Monique Lerbier, an emancipated French woman who leaves home to escape a marriage of convenience to a man she does not love which her parents have forced on her. She then falls into all sorts of carnal temptations and artificial pleasures previously unknown to her. These include her being seduced into a lesbian love affair by a chanteuse.
The Woman Thief
The woman thief evades a young lady who is onto his game, but then tries his wiles elsewhere on a married woman by attempting to compromise and ruin the husband she is happy with.
The Inhuman Woman
A famous singer Claire Lescot, who lives on the outskirts of Paris, is courted by many men, including a maharajah, Djorah de Nopur, and a young Swedish scientist, Einar Norsen. At her lavish parties she enjoys their amorous attentions but she remains emotionally aloof and heartlessly taunts them. When she is told that Norsen has killed himself because of her, she shows no feelings. At her next concert she is booed by an audience outraged at her coldness and she decides to visit the vault in which Norsen's body lies.
Escadrille of Chance
Edwige, a rich American divorcee, goes to Morocco to look up an amazing pilot she once knew. The young woman's secretary, also an aviator, won't fly a plane because he was in a terrible accident. As he is in love with Edwige, the secretary does everything in his power to thwart her romance with the other pilot. He finally supplants his rival and wins the heart of his boss.
Comedy of Happiness
Monsieur Jourdain is a dangerous madman : he wants to share his fortune! His relatives do what any sensible fellow on earth would do: they have him committed to a mental hospital. But Jourdain manages to escape and decides to make everybody happy except... his heirs!
Cordial Agreement
The film depicts events between the Fashoda crisis in 1898 and the 1904 signing of the Entente Cordiale creating an alliance between Britain and France and ending their historic rivalry. It was based on the book King Edward VII and His Times by André Maurois. It was made with an eye to its propaganda value, following the Munich Agreement of September 1938 and in anticipation of the outbreak of a Second World War which would test the bonds between Britain and France in a conflict with Nazi Germany.
El Dorado
In Granada in Spain, Sibilla works as a dancer in a squalid cabaret called El Dorado, struggling to earn enough to care for her sick child. The boy's father Estiria, a prominent citizen, refuses them both help and recognition, fearful of jeopardising the engagement of his adult daughter Iliana to a wealthy nobleman. Iliana however slips away from her engagement party to meet her real lover Hedwick, a Swedish painter. Sibilla, in desperation after a further rejection by Estiria, sees an opportunity to blackmail him by locking the lovers overnight in their meeting-place in the Alhambra.
Love and Companionship
The accountant of an insurance company, rather eccentric and quick to push the song, is responsible for monitoring the actions of an alluring South American whose suicide would mean the collapse of the company. Finally, the accountant discovers an attempted insurance scam and marries the surly and charming interpreter who was the liaison between the South American and himself.
Production
The Gallery of Monsters
The whimsical Riquet's has kidnapped and married a well-born young girl, Ralda. They travel around Spain performing their act in a circus but Ralda's beauty arouses the director's lust. Furious at being rejected, he opens a lion's cage during Ralda's act, leaving her seriously injured. With Ralda's family on their trail, the young people set off to find a better life elsewhere.
Rose-France
A poem to love and patriotism soon after the end of World War I. A highly original and poetic film using many experimental camera techniques, which proved too fanciful for many but which established Marcel L'Herbier's reputation as a talented innovator. This is the director's debut film and it is considered the second impressionist film, the first being Abel Gance's, 1918, La Dixième symphonie (The Tenth Symphony).
Le marchand de plaisirs
The Man of the Sea
Nolff, a tough Breton fisherman is happy: his wife has just given birth to a son, Michel. His only wish is to make him a fisherman like him. But when he becomes a man, Michel becomes a good-for-nothing who spends his time in taverns.
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