Directing
Janicza Michelle Bravo Ford (born February 25, 1981) is an American film director, film producer, and screenwriter. Description above from the Wikipedia article Janicza Bravo, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Sarah Jo is a naive 26-year-old living on the fringes of Hollywood with her mother and sister. When she begins an affair with her older employer, she is thrust into an education on sexuality, loss and power.
An underachieving vocal coach is motivated by her father, the king of movie-trailer voice-overs, to pursue her aspirations of becoming a voice-over star. Amidst pride, sexism and family dysfunction, she sets out to change the voice of a generation.
A dark comedy of errors unfolds as two interloping idiots inadvertently wreak havoc on the lives of others.
Suburban soccer moms find themselves constantly competing against each other in their personal lives as their kids settle their differences on the field.
Parents-to-be Jackie and Elliott embark on a quest for self-actualization before the imminent birth of their first child in this strikingly honest and hilarious portrait of parents and children.
Wild Combination is a visually absorbing portrait of the seminal avant-garde composer, singer-songwriter, cellist, and disco producer Arthur Russell. Before his death in 1992, Arthur prolifically created music that spanned both pop and the transcendent possibilities of abstract art. Now, over fifteen years since his passing, Arthur's work is finally finding its audience. Wolf incorporates rare archival footage and commentary from Arthur's family, friends, and closest collaborators to tell this poignant and important story.
After locking herself out of her apartment, a young woman finds herself in the company of a strange and frightening neighbor.
A paraplegic man leaves home for the first time only to discover that life on the outside is not like he had imagined it.
It’s quintessentially late afternoon Californian sun. The eponymous house gently hosts a number of clipped social encounters. Each of these denotes dynamics of power in race, gender and class. While it’s the macaw that seems ostensibly and literally caged, Bravo’s drama of manners suggests that every single one of us may not be quite as uncaged as we assume.