Directing
Jane Schoenbrun (born February 5, 1987) is an American filmmaker. Committed to making and supporting personal, art-driven cinema, Schoenbrun is best known for their films We're All Going to the World’s Fair (2021) and I Saw the TV Glow (2024).
A beautiful actress struggles to connect with her disfigured co-star on the set of a European auteur's English-language debut.
A queer musician returns to her hometown to encounter the strange masculinity of the music scene.
Izzy seeks out everything in her power to stop her partner from transitioning. Meanwhile, Michaela tries her best to be a good person.
Izzy does everything in her power to stop her partner from transitioning.
Tux and Fanny are two friends living together in the forest and these are their adventures!
This tersely lyrical meditation on sex and gender roles from Joanna Arnow features two fed-up mermaids lounging on a beach, drinks in hand, as they vent and commiserate over underacknowledged frustrations and unspoken desires.
In late-90s suburbia, a lonely teenager meets a girl at school who introduces him to a mysterious late-night T.V. show — a vision of a supernatural world pulsing beneath their own. As time goes on, however, questions begin to arise about why the show sometimes seems more real than their own lives. In the pale glow of the television, their view of reality begins to crack.
A mosaic-style comedy following the life of a woman as time passes in her long-term casual BDSM relationship, low-level corporate job, and quarrelsome Jewish family.
In this absurdist homage to '90s basic cable TV thrillers, two hot INTERPOL agents uncover an international, interspecies mystery.
After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director for resurrection. But when she visits the original's star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.
Dan's two lifelong best friends ask him to give a speech at their wedding. The only problem: he hates the groom and is still in love with the bride.
A dystopian tale, shot in magisterial black and white, about a world that’s variously tortured and enlivened by sound.
The film stars musician Willis Earl Beal, who spends his time “surrounded by beautiful women, legendary musicians, a stone-cold-hustler, a righteous preacher, and a wolfpack of kids,” while working less on his music and more on the state of his soul.