Wartime events from a child's perspective were a popular theme during the previous regime - here it is a twelve-year-old village boy who experiences dangerous situations with retreating Nazi troops in picturesque South Bohemia... Any attempt to achieve a more believable depiction is destroyed by the staging's grandeur, and in the end the result is an awkward piece, suitable at most for celebrating the relevant national holidays. A longer copy with a tragic ending is stored in the NFA. Milda is shot unnoticed by an SS major.

After many decades in Germany, Marie Hahn will come to Prague to meet her relatives and friends. She learns unflattering information about her husband's behaviour during the German occupation, she suffers health problems, but even her daughter is not interested in helping her mother...

A harsh and raw story about the difficult life of a village woman and the sad fate of her three daughters...

A comedy concerning a down on his luck bookshop owner with a penchant for women who decides to make some money by pretending to be a waiter and collecting cash from unsuspecting diners.

Based upon the true story that inpired the Christmas carol about a young king's care for his people.

Even under socialism, it was not advisable to cross the line between rich and poor. When a mason's apprentice falls in love with a girl from a wealthy family who lives in a magnificent villa during his first thug, he can hardly expect his feelings to be fulfilled. The schematic and lifeless depiction of the young generation has hardly contributed to a truer view of contemporary reality.

František Cepl is a young man from a simple family. He graduated from a real school and was going to study technology. When the occupation came, he had to work as a factory assistant. There he meets an older man named Telec, whom everyone knows as Hrabě. He impresses František with his ostentatious disdain for work and his shameless flirtation with women. František, whom the Count calls Papilio (butterfly butterfly), is filled with youthful ideals, while the Count, on the other hand, is an extract of the crudest individualism. He has worked his way up from a student at a business academy and a theatre actor to a member of a pre-war gallery. He blackmails, steals, drinks, abuses women and, in a way, Papilio himself.