Florence, 1500 AD. A theatre company performs a love story à la commedia dell’arte: Harlequin desires Columbine, but she loves a noble and mysterious painter Leonardo da Vinci. The story gets tangled, nobody knows anymore what is fiction and what is reality. Only Leonardo keeps his head cool and makes use of the emotional disorder to create his masterpieces.

Life is the only game one does not choose for oneself. The central theme of the film is not only the stories connected to the casino space, gambling and poker players, but also stories from the outside world - the game as a life feeling given to man from birth. Playing in the casino space is the essence of fun and relaxation, but also of the feeling of gambling, it has a kind of mysterious flavour to it. The world 'beyond the walls', the outside world, and therefore politics, is a world of even greater games. Politics influences people's lives, plays with them and, unlike the 'poker' world, often uses unfair means, has no set rules of the game and sometimes even fights against them.

A contemporary tragicomedy from a modern city about disintegration of relationship, disintegration of a marriage, and maybe also about the disappearance of basic rules from decent life. A very black comedy about people in their 40ies who already have money, but still listen to rock and roll, exchanging drugs for mobile phones.