In the frontier village Vetrov boys from the children's home called Indians lead a bitter "war" with the local Símáks. Before a battle the Indians have a meeting in the sandpit with a smoke signaling. The smoke brings to the sandpit a frontier guard Tomás with a police dog Ranek. The children learn from Tomás that Rank served out and that it shall be destroyed. The nine-year old Fanda writes a letter to the "minister of the frontier guards" in which he asks to let Ranek live. To save Ranek's life he also visits the local frontier guard commander. In the end it is decided that children from the children's home may keep Ranek.

The Slippers of Happiness is another film made by the Slovak Film Production in co-production with West German companies based on classic world fairy tales. After Slovak folk tales [The Greatest Peck in the World, Salt Over Gold] and the works of German fairy tale writers Wilhelm Hauff [The False Prince] and the Brothers Grimm [The Land of the Thrush's Beard, Perinbaba], screenwriter Alex Koenigsmark and director Juraj Herz were inspired by the famous fairy tale by Hans Christian Andersen. It tells the story of slippers that the Fairy of Fortune enchanted so that they would fulfill every human wish and thus bring people happiness. The filmmakers humorously transferred the plot from Copenhagen to old Prague.

Wild Swine is actually an ironic name for the great search operation of Prague's criminologists, who in a tangle of criminal activity of various kinds were digging around like wild swine before they managed to solve a complicated case. The story takes place in a variety of social spheres, from the Roma people to the world of Prague prostitutes and bakshellers to prominent people.

The film is essentially a feature-length commercial for an exhibition to mark the 40th anniversary of the nationalisation of the Czechoslovak film industry, to be held at the Prague U Hybernu venue. The protagonists of the piece are comedians Oldrich Kaiser and Jirí Lábus, who are set to accept an award from Japanese television representatives at the exhibition. At the same time, five gangsters plot to seize a revolutionary invention devised by professor Suzuki - a super holograph, which enables any figure from television to be transported in the flesh into the real world, and vice-versa.

The film tells the story of an enthusiastic young man who joins a textile factory in the late 1950s and assumes that a promising career awaits him - the protagonist is therefore constantly comparing himself to his favourite literary model, the equally ambitious Julian Sorel from Stendhal's fresco The Red and the Black. The result, however, lacks the necessary conviction, the ability to draw the viewer into his world, and remains too contrived, as the chosen period has become a mere non-committal backdrop for amorous games.

Ivan is shooting a documentary for the film school. His subject- girls and women working in the local beauty salon. Among them is his childhood friend Eva, who needs to find a model for the upcoming hairdresser contest.

During WWII a youth deserts his country's army after a combat experience, but not before wounding his commanding officer with a knife in order to escape. The young man, now very emotionally distraught, dresses in women's clothes and eventually joins a passing gypsy caravan, who think him a young girl... as well as a kind of seer, or 'rawney'. In time, however, he regains some composure and becomes attracted to one of the gypsy girls, which only leads to problems within the gypsy band, especially when the wounded commanding officer finds him.

Petr Soukup, a student from Karlovy Vary, is tasked with getting support for student protests in the spa city. However, Petr’s attention is rather absorbed in his relationships with students Zuzana and Martina as well as by the plight of a friend – single mother Jiřina who is making ends meet through sex work.

A tragicomic story about the "hug" that all the characters long for, especially sociologist Oskar, an indecisive loser whose daily bizarre encounters with old people in nursing homes lead to feelings of futility, emptiness, and loss of vital energy, which reinforce his refusal to bring a child into this meaningless world. However, his wife's desire for motherhood grows.