From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.

The movie deals with a guy who gets to join the German Bundeswehr involuntarily because a colleague loses his denial papers in order to get the chance to get down on his girlfriend. When entering the Bundeswehr he acts like a giant idiot and of course gets in one room with some of the biggest losers around. The loser turns out to be a hero and leads his loser-colleagues to win a contest with the local US army squad.

A pseudo documentary study of an archetypal German who tries to model his world according to his ideas of law and (sexual) order.

Anna is a primary school teacher and a nervous wreck. The pupils do whatever they want to her. Thilo is an actor - but mainly on his business card. To earn money, he sells wine in a call center, or rather, he tries to. One day, mutual friends Valerie and Moritz play fate and bring the two together. But this also goes wrong: Anna has a minor nervous breakdown and Thilo - falls in love! Head over heels! But first they have to solve their own problems, face up to their reality and admit that they need to change something in their lives. And gradually Anna and Thilo find their way back to themselves and to each other, because life writes the most beautiful stories with love and music...

Christmas Eve. Airport Santa Thorsten has his hands full: An accident and bad weather lock everyone in as they are trying to make it home last minute! Small dramas play out under the eyes of Thorsten’s tyrannical boss, the airport manager: Secret lovers Martin and Eva are in a tight spot, when Martin’s family shows up. A retired couple can’t spend Christmas with their loved ones. Waitress Anja’s boyfriend suddenly falls for her old school mate. Helicopter mom Jette keeps fighting with her husband, when her son runs away. In the middle of it all is Thorsten, and it’s his job to keep them all happy. But that’s what Santa's are made for!

Johannes Friederich Selinger is in his mid-30s and has nothing to show for his life apart from failure. Only the dream of becoming famous keeps him on track. He is now prepared to take drastic measures to achieve this. Together with two friends, he sets off for the USA, where he wants to make a movie like no other before, starring himself and his new identity John Frederik Salinger: he wants to sacrifice one body part after another in front of the camera in order to win the admiration of the masses.

For Marko, life mainly consists of frozen pizzas and back pain. For almost 30 years, the widower has been hauling frozen goods for the company "Eisland" to the front doors of his mostly older customers. When Marko has to take early retirement due to illness, his life gets into imbalance. Thereby Marko has only one goal: his studying son should have it better one day. Lawyer or judge, that would be something. The main thing is no work where you have to wear a name tag. The decease of an old female customer unexpectedly opens up a whole new business model for Marko. Unfortunately, he reckoned without the nosy neighbors. To make matters worse, his own son also finds out about it. Marko's house of cards threatens to collapse. Then he meets his idol Roland Kaiser at the bar.

When their ship is sunk in the Indian Ocean during the first world war, 50 men have to cross infinite stretches of sea and desert, avoid enemies, find allies and finally make it home to Germany. A breathtaking real-life odyssey.

A young couple moves to a gated community (named Sechzehneichen), where soon the creative wife (a photographer) gets bored and the husband joins a secret mens' club. All the other wives seem strangely conservative and shallow. Basically a thinly veiled take on the Stepford Wives, just without any bit of humor or atmosphere, but instead filled with the sterile, unflinching and dry seriousness that makes watching a lot of our German films such a drag and a miserable experience.