Shows footage from King Haakon the 7th arrival in Norway in 1905 to the beginning of the space age.

The film depicts Asia and was shot in Bali, Egypt, Israel, Japan, Jordan, Kashmir, the Taj Mahal in India and Pakistan.

Depicts the royal houses of Europe (Norwegian, British, Belgian and Dutch) as well as Iran and the Principality of Monaco.

In January 1965 King Olav of Norway traveled to Iran and Thailand with the SAS airplane "Olav Viking".

I Faresonen is a combination of a documentary and fictional approach to the problem of alcoholism -- or alcohol dependency. Tackling a problem common to other Nordic countries as well, director Bjoern Breigutu has focused on the life of sailors, among others, and how alcohol is used or abused in that sector of the population. This was the Norwegian entry at the 1961 Berlin Film Festival.

At Slagen, Hudøy and several other places, Oslo Municipality drove holiday colonies where children from the city could vacation in the summer. At Dal there was a separate holiday colony for tuberculosis-infested children. Some children were also sent for holiday stays on farms. More than 5,000 children received a stay at municipal or private holiday colonies every summer. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Oslo has many sports fields, including Voldsløkka, Dælenenga, Ekebergsletta and Bislett. **** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

A look at Vigelandsparken. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

The film begins with the forerunners of cinema and takes us through a review of film history in Norway and the history of Oslo’s cinemas. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

About Gustav Vigeland. **** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.