Writing
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Augustin Dos Santos is a benign simpleton with a slight stammer. He's serious about his part-time job as a clerk for an insurance company, and he also acts, with small parts under his belt in commercials and experimental films. An agent finds his serious innocence perfect for a part as an odd bellman. Before his screen test, he volunteers for a day at a hotel. At his screen test, his inability to see the comic center of the scene makes him perfect for the part. Back at work, women co-workers tease him, and then he's off to the countryside to play a vet in a government film about myxomatosis in rabbits. Can anything break through his serious view of reality?
Paris, 1964. The Swiss sculptor and painter Alberto Giacometti, one of the most accomplished and respected artists of his generation, asks his friend, the American writer James Lord, to sit for a portrait, assuring him that it will take no longer than two or three hours, an afternoon at the most.
