Rookie cop Megan Turner orders a burglar to drop his gun. He whirls to shoot. Too late. Turner fires, killing him instantly. When someone lifts the assailant's gun from the crime scene, the police hold Turner accountable for killing an unarmed man. That same someone carves Turner's name into the bullets and uses them in a series of murders. Turner teams up with detective Nick Mann to clear her name and catch the killer. But she is drawn into a deadly game of wits with a psychopath who's always one step ahead… and much closer than she thinks!

CREMASTER 3 is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect...

N.Y.H.C. is the first feature-length documentary to explore the New York Hardcore music scene. Drawings its roots from punk rock, hardcore evolved into a dedicated, self-contained movement, unconcerned with success in the mainstream. The documentary follows seven bands in the summer of 1995, ranging from Bronx inner-city youth to Long Island suburbanites to Hare Krishna devotees. N.Y.H.C. is a surprisingly in-depth and non-exploitive look into a vital and often neglected music community.

The third and final edition of a series of three DVDs documenting the New York City area hardcore punk scene from 2001-2003. Featured bands are Billy Club Sandwich, Subzero, Irate, Ensign, Murphy's Law, and special sections on Atomic Recording Studios in Brooklyn, New York Hardcore Tattoos in Manhattan, Afro-Punk documentary, and Hardcore artists Chris Beee and Kentax

In the early 1980s, Karen O'Sullivan made her way from where she grew up on Manhattan, NY's Upper West Side to the then-desolate Lower East Side to photograph the burgeoning scenes of hardcore punk and hip hop. "Somewhere Below 14th & East" is the first collection of Karen's photos, compiling over 150 images of artists as diverse as The Clash, Run DMC, Iggy Pop, Beastie Boys, Minor Threat, UTFO, Misfits, and Whodini, as well as the various characters and ne'er-do-wells brave enough to witness history in the making. With its combination of O'Sullivan's striking imagery and first-hand accounts by those who were there, "Somewhere Below 14th & East" chronicles an extraordinary time where boundless possibility and stifling desperation intersected to create one of the most vital and creative times in New York's history.