Newcastle, 1939. Shipyard worker Joe feels emasculated and past his prime; too old to serve in the war, and he’s shocked when his wife leaves him for a younger naval officer. Needing a new challenge, Joe and his friend Harry reluctantly volunteer to join the Home Guard.

This is the story of Dame Barbara Windsor, the Cockney kid with a dazzling smile and talent to match. Preparing to perform in the theatre one cold evening in 1993, the cheeky, chirpy blonde Babs recounts the people and events that have shaped her life and career over fifty years from 1943 to 1993. She contemplates her lonely childhood and WWII evacuation; her decision to go from Barbara Ann Deeks to Barbara Windsor, inspired by the Coronation of Queen Elizabeth II; her complicated relationship with her father; her doomed marriage to Ronnie Knight; capturing the attention of theatre director Joan Littlewood; and becoming the blonde bombshell in the Carry On films. Babs, ever the consummate professional, never lets her fans down whatever her personal anguish and steps on the stage to rapturous applause.

'Paper Boy' is a psychological horror that claws at the perception of masculinity while planting the viewer in a world where monsters are no longer confined to the night. Jacob is trying to adapt to his new life in sleepy suburbia having followed his partner, Aisling, there for her new job. While she is occupied and happily settling into her new life, Jacob is struggling to adjust, stuck in an open prison that is their 'fixer-upper' house, unsuccessfully looking for work while trying to keep the persistent drip from the ceiling from falling into his cheerios. Jacob's deterioration continues further with the delivery of a newspaper by a paper boy, containing a cry for help. The boy, his red bike, uncatchable despite Jacobs attempts, unsettles Jacob and with further investigation within the neighbourhood, no trace of this kid seems to exist.

A female-led, independent, sci-fi thriller about a pioneering British medical scientist called Ann Waterman. After making a scientific breakthrough she is kidnapped and awakes in a future-tech medical prison, locked in a mysterious motion-capture style suit (MedSuit). Over the next year she is forced to watch her boyfriend's life play out without her; watch as a gripping conspiracy unfolds; slowly uncovers a web of secrets that will have huge consequences on her life and the rest of the world.

Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.