The story begins at the height of Gleason's career. He has it all: women, wealth, and extraordinary power. But he is haunted by memories of his childhood. Gleason spends his formative years entering amateur contests, performing in sleazy night spots. Along the way, he steals gags from the best comics in town and finds love with Genevieve, a dancer whom he marries. But Gleason isn't the ideal husband or even a responsible father as he abandons his family to answer the call of Hollywood. Brash, arrogant, and egotistical, he alienates his directors and the man who discovers him. When he ends up back in New York, Gleason gets one of those rare second chances in the new medium of television, creating some of its most unforgettable characters. But even as Gleason becomes the talk of the tube, his life - ruled by demons of rage, booze, and insecurity - unravels.

When his father dies, Terry (Gary Sinese) returns to the house where he grew up, planning to stay only long enough to clean and settle the estate. Yet something indescribable keeps him there longer than expected. Soon, he is reunited with memories and people from his past and his life is changed forever.

When Mitchie gets a chance to attend Camp Rock, her life takes an unpredictable twist, and she learns just how important it is to be true to yourself.

Legendary daredevil Robbie "Evel" Knievel (George Eads) is profiled in this action-packed biopic helmed by John Badham. Long before extreme sports became ubiquitous, the hard-living exhibitionist vaulted his motorcycle over steep canyons, crates of venomous snakes and snarling cougars. But as Knievel amassed wealth and world records (along with 35 broken bones), his taste for liquor and ladies equaled his appetite for adventure.

Alfred Carlton Gilbert invented the Erector Set and is trying to get it onto the toy shelves of the country. A.C. is startled to be summoned to the White House, where top officials ask him to convert the toy factory into a weapons manufacturing company for the duration of the war. "No" is really not an option, for fear of being labeled unpatriotic so the switch is made. Later, government officials ask A.C. to be their spokesman for a campaign to avoid "toy giving" for the coming holidays and buy war bonds instead. With a young son himself, who looks forward to Christmas like any other child, what will A.C. do this time?