A chronicle of the life of Bertrand du Guesclin, grand officer of the French army in the 14th century.

Ian Tracey plays 11-year-old Peter, who is plagued by demons and sent to an institution for setting fires. Peter escapes and hops a freight train headed into northern B.C. He is befriended by a native shaman or "dreamspeaker" (George Clutesi). The shaman makes some strides but is unable to get to the root of Peter's problems. Peter is captured by the police and taken back to the institution where he slides down even further.

Jan-Michael Vincent stars as Mike, the grandson of Native American shaman Old Man Hawk who is called back to his village to help defeat evil forces threatening the tribe. After years of living in the city and working in a business world altogether apart from his roots, Mike is contacted by a freelance reporter, Maureen, who was enlisted by Old Man Hawk to track his grandson. When Mike assents to returning with Maureen, they find that the village is beset by the evil spirit of an ancient sorceress, Dsonoqua, animating beasts and objects and causing strange, deadly accidents. Only the heir of the tribe’s shaman can stand in the way of the evil and protect his people, but will Mike be able to harness his power in time?

By the turn of the 20th century, Butch Cassidy, the Sundance Kid, Billy the Kid and virtually all of the West's legendary outlaws are either dead or in jail pending execution. Well, all, except train robber and escape artist extraordinaire, Harry Tracy. As the last survivor of the Wild Bunch, Tracy pulls off a series of profitable robberies before making his way west to Portland, Oregon, in search of Catherine Tuttle -- a judge's daughter who has captured his heart. But on the way, Tracy is betrayed, arrested, and imprisoned. However, no jail can hold him for long and after making his escape, Tracy becomes the target of the largest manhunt in the history of North America.

Set off the West Coast of Canada in 1965, a hip new teacher with a miniskirt and lots of ideas turns a small town upside down. The soft autumn light of Galiano Island is beautifully rendered in writer/producer Peggy Thompson's The Lotus Eaters, and that's not the only elusive element that this film has captured. In revisiting its particular time and place - the Gulf Islands of the early '60s -Thompson obviously draws on her own family experiences there. For those who share Thompson's love of Gulf Islands magic, the elements she has assembled will feel as familiar as their own childhood blanket. But there are problems at the core of this story about a family's loss of innocence.