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Jacques Drouin's artistic trajectory is closely tied to the Alexeïeff-Parker pinscreen. No other filmmaker has employed the device with such dedication since Alexeïeff himself, who created the design in 1931. Consisting of a perforated board with 240,000 adjustable pins, the pinscreen can be manipulated to create evocative moving images.

Alexander Alekseev, Alyosha, Alfeoni ... artist, animator, inventor. The author of "Night on Bald Mountain" — one of the most mysterious films in the history of animation and the inventor of a unique device — a needle screen . He did the first color commercials and the prologue to the Orson Welles film "The Trial". He made dreams come true and subordinated reality to his own imagination.

This documentary is a portrait of the animator of Le Paysagiste, from his childhood in Eastern Quebec to his career at the NFB. Trained at the École des beaux-arts de Montréal and the University of California at Los Angeles (UCLA), Drouin became in some ways the heir to Alexandre Alexeïeff when he began working with the Alexeïeff-Parker pinhole screen in 1974. Recounting his relationship with the filmmaker and inventor, coming back with lucidity and precision on the whole of his own filmography, Jacques Drouin delivers here a precious testimony on creation. Enriched with numerous excerpts and unpublished images from the filmmaker's personal archives, Jacques Drouin en relief is both the adventure of a lifetime and a valuable lesson in cinema.

An anthology of sequences from the best films that the National Film Board of Canada produced since its beginnings. Divided by themes and presented by a trio of actors-signers (including Carle's wife Chloé Sainte-Marie) who sings the same song in between the movie excerpts. This movie celebrated the anniversary of the National Film Board in 1985.

The Pinscreen is a tool that was created in the 1930s to make animation films. Although it no longer provides any technical advantages, a handful of animation directors still use it. This film explores why it is so important to create something handmade with constraints, in a time when everything is turning towards instantaneous digital technology.
This documentary tells the story of Max Ward, a former bush pilot whose company grew to become one of the major airlines in Canada. A study of entrepreneurship, the film focuses on Ward himself, depicting his distinctive style of hands-on management. Between hallway meetings, informal chats with the staff, checks on maintenance, flight preparations and in-flight conversations with vacationing customers it becomes apparent that the president's personal touch is a key element in Wardair’s success story.

This feature-length documentary paints a lively portrait of Father of Confederation and first premier of Newfoundland Joseph Roberts Smallwood, or "Joey," as he is known to most Canadians. Following one of Canada’s most colourful political figures during a two-and-a-half-month period that included a stormy Liberal leadership convention, the film reveals a man misunderstood even by his close associates.

An animated film based on one of the renku (collaborative linked poems) in the 1684 collection of the same name by the 17th-century Japanese poet Bashō. The creation of the film followed the traditional collaborative nature of the source material – the visuals for each of the 36 stanzas were independently created by 35 different animators. As well as many Japanese animators, Kawamoto assembled leading names in animation from across the world. Each animator was asked to contribute at least 30 seconds to illustrate their stanza, and most of the sequences are under a minute (Yuriy Norshteyn's, though, is nearly two minutes long).

In this short, an artist creates a painting of the landscape he sees, then finds he can literally climb into the picture to see the fantastic world inside.

In this short, an artist creates a painting of the landscape he sees, then finds he can literally climb into the picture to see the fantastic world inside.

When a man becomes blind, his life is all turned around. He can only use his touch to get around in his house. The objects become enemies. But an angel is looking over him.

A woman plays out her existence on the screen of her life. Alcohol is the essence of her being. She imbibes her youth and becomes completely absorbed by the desire to satisfy her thirst. Moving from parties to binge drinking, pleasure to distress, joy to delirium, she lets herself be lulled by the undulating waves of bottles. She floats in the intoxicating liquid, sees her childhood re-emerge, and feels as if she is a tiny fish lost in an ocean of madness. Her craving for alcohol engenders a burning passion. Drinking becomes a fatal embrace... On the verge of drowning in the torrent of this insane obsession, will she find the strength to rise to the surface?

A short documentary about singers Kate and Anna McGarrigle made by animator Caroline Leaf.

This feature-length documentary analyzes television newscasts and, as a result, takes a look at the news industry as a whole. By tackling five major themes – the script, the stars, the show, the actors and telecracy – it elucidates and demystifies certain aspects of television news, the bearer of daily news and guarantor of a certain image of reality.

Investigation into political journalism in Quebec. Mainly focusing on English-speaking journalists in the press gallery at the National Assembly and their perception of current events, Godbout argues that the sense of objectivity in journalism is above all a question of culture.
