Dieudonné receives his friend Patrick. The latter is in the midst of a depression following his divorce from his wife Sandrine. Dieudonné then comes to talk about couples' problems, romantic encounters, the effects of several years of married life, the role of a parent, children in the midst of divorce. In the course of his development, he even comes to the subject of war, religions, the attacks of September 11. In short, a whole program!

At the start of his show, Dieudonné talks about the event that, according to him, made the media start talking about him again, the baptism of his daughter Plume, whose godfather is Jean-Marie Le Pen. Dieudonné acted like an idiot, and he explains himself with his trademark biting humor.

At the start of his show, Dieudonné talks about the event that, according to him, made the media start talking about him again, the baptism of his daughter Plume, whose godfather is Jean-Marie Le Pen. Dieudonné acted like an idiot, and he explains himself with his trademark biting humor.

After his betrayal, Judas did not go hang himself, but instead embarked on a 2000-year wandering, carrying the weight of infamy (his betrayal of Jesus), before reappearing in the midst of the Algerian desert.

Filmed in Montreal. Dieudonné celebrates the 100th anniversary of the Law on the Separation of Church and State, which was intended to dissolve sectarianism and lead the Republic toward universalism, only to observe its failure... while attempting to analyze the reasons why with humor.

From politics to politicians, from the media to the justice system, from your neighbor to even himself, Dieudonné really targets everyone in an uncompromising portrait of our society, tinted with vitriol.

Patrick and Sandrine Boulard have been separated for several years now. Patrick cannot get over the breakup and breaks into his ex-wife's house one night. She files a complaint. The trial begins. After leading the public to believe that the show had been canceled, on the pretext that he had lost his "license to make people laugh," Dieudonné explains his weariness with controversy and his decision to choose a lighter subject. He thus reprises the character of Patrick, drawn from Patrick's divorce, and has the judge, the lawyers, and Patrick himself speak during the trial. This is followed by a series of sketches dealing, as a whole, with the relationship between men and women.

The comedian, through a gallery of quirky and offbeat characters, paints a biting portrait of our society. Dieudonné tackles bankruptcies in all their forms: social, historical, animal...