Jack Cummings | WatchedThis
Jack Cummings
Production
Biography
From Wikipedia, the free encyclopedia John "Jack" Cummings (February 16, 1905 – April 28, 1989) was an American film producer and director. He was the second husband of Betty Kern, daughter of Jerome Kern. Cummings spent most of his career at his uncle Louis B. Mayer's studio, Metro-Goldwyn-Mayer, where he began work in the 1920s. Mayer started his nephew out as an office boy and expected him to work his way up through the ranks. Cummings became a staff producer at MGM in 1934, where he worked in the B-feature unit for two years. In 1936, he produced the extravagant Cole Porter musical Born to Dance, which established his reputation as a respected producer. Cummings remained at MGM even after his uncle was fired from the studio in 1951, working with talent such as the Marx Brothers, Red Skelton, Esther Williams, and Fred Astaire and producing some of the era's best-known musicals, including 1953's Kiss Me Kate and Seven Brides for Seven Brothers in 1954, for which he received an Academy Award nomination. He left MGM to become an independent producer affiliated with Twentieth Century-Fox and produced the 1959 remake of The Blue Angel and the 1960 movie version of the Abe Burrows-Cole Porter Broadway musical Can-Can. In 1964, he returned to MGM one last time to produce the Elvis Presley musical Viva Las Vegas. Other credits included Easy to Wed, It Happened in Brooklyn, Three Little Words, The Last Time I Saw Paris, Interrupted Melody, and The Teahouse of the August Moon. Jack Cummings was the son of Ida Mayer Cummings, sister of Louis B Mayer. He had two sisters, Ruth (married to film director Roy Rowland) and Mitzi (married to film producer Sol Baer Fielding), as well as a younger half brother Leonard 'Sonny' Cummings. Mr. Cummings was survived by his four daughters, Julie Cummings Siff, of Manhattan, Kathy Cummings St. Aubin, of Los Angeles, Linda Kern Cummings, of Danville, Ky., and Carla Luisa Cummings, of Los Angeles.
Filmography Movies
Production
Viva Las Vegas
Lucky Jackson arrives in town with his car literally in tow ready for the first Las Vegas Grand Prix - once he has the money to buy an engine. He gets the cash easily enough but mislays it when the pretty swimming pool manageress takes his mind off things. It seems he will lose both race and girl, problems made more difficult by rivalry from Elmo Mancini, fellow racer and womaniser.
Pipe Dreams
A woman trails her estranged husband to the Alaskan pipeline in hope of averting their impending divorce.
Can-Can
A Parisian nightclub owner known for her performances of the can-can attracts the ire of a self-righteous judge. He hatches a plot to photograph her in the act but ends up falling for her — much to the chagrin of her lawyer boyfriend.
Interrupted Melody
Interrupted Melody is the inspirational filmed biography of world-renowned Australian soprano Marjorie Lawrence. She’s a foremost Wagnerian, equal to the vocal and physical demands of the composer’s oeuvre. And she’s a beacon of triumph to anyone who fights back when personal tragedy strikes.
I Dood It
Constance Shaw, a Broadway dance star, and Joseph Rivington Reynolds, a keen fan of hers, marry after she breaks up with her fiancé. Connie thinks Joseph owns a gold mine, but he actually works as a presser at a hotel valet shop. When everyone learns what he really is, Joseph is banned from the theater. When he sneaks in again, he learns of a plot to set off a bomb in the adjoining munitions warehouse.
The Winning Ticket
A barber tries to find the winning lottery ticket he hid from his moralistic wife.
Bachelor Flat
Professor Bruce Patterson is constantly having to fight off the advances of his young female students and is engaged to Helen Bushmill. While Helen goes on vacation, Bruce decides to stay at her apartment but is surprised by the arrival of Libby, Helen's 17-year-old daughter. Having never been told by Helen of this daughter, Bruce assumes she's another student. During her stay, Libby is noticed by an amorous neighbor, Mike.
Give a Girl a Break
When the temperamental star of a new Broadway musical revue in rehearsals walks out, director and choreographer Ted Sturgis suggests casting an unknown for the role. When it is announced in the newspapers, throngs of hopefuls show up. The revue's musical composer, Leo Belney, champions ballerina Joanna Moss, while gofer Bob Dowdy is enchanted by novice Suzy Doolittle. Then producer Felix Jordan persuades Ted's former dance partner, Madelyn Corlan, to come out of retirement to try out, much to Ted's great discomfort.
Over the Counter
In this musical short, the son of a department store owner replaces the regular sales girls with chorus girls.
Nertsery Rhymes
Three boys play are told some "bedtime stories" by their parents.
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