30 years after the reunion of Germany: Leon’s mother left, long time ago. But he is still here, with his dad, who runs a gas station close to the border to Poland. Nobody fuels there. Nothing happens. Nobody talks about the past. When suddenly a young woman from Ukraine appears, things change. She came to work for a rich family, which visits the village once in a while. Leon feels that she can help him to find peace with his unknown past.

Lilly Heartfield is young, talented, and full of ideas. She graduated from fashion school in London and recently opened her own fashion studio in Cornwall.

Berlin’s notorious Neukoelln district. The near future. A time in which the health system has collapsed. A man works in the shadows and without license as a doctor. He has no practice, no appointments system. He treats people in the courtyards and streets – everywhere he’s needed, stealing medicine from pharmacies. Nobody knows his name or that by day he’s the caretaker of a shabby tenement building. He pushes boundaries and suffers defeats that cost him the last of his strength. Forced to adopt the role of a shadow, an outlaw, he is confronted with the question as to whether he really is a doctor.

An African-German Author loses his memory and is used by a modern National Socialist Party as promotion-figure for more political power over Germany.

An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.

True love never dies, the loving heart never stops beating ... for Kerstin’s ex Thomas, who she still hopes will come back some day. Instead of Thomas, her mother Charlotte shows up at her door, mid-50s and freshly single again, too. Charlotte moves in with Kerstin and her flatmates, one of who shows her how to use a modern dating app to meet new men. As mom starts dating again, her daughter refuses to let digital reality intrude on her romantic daydreams.

Jonas (Benno Fürmann) and Marit (Maja Schöne) lead an unconventional relationship. They moved from Cologne to Berlin because Marit got a lucrative job there. This makes Jonas temporarily unemployed - but one has to take care of children and household.Talking together, being open and honest and making music together is the basis of this family, where everyone can make their own thing and feel at home at the same time, a family where parents see themselves as life-long companions of their children. This modern family code is put to the test when the couple meets a pioneering agreement after 14 years of relationship -both of them do not want to miss family as it is now , but they do not want to give up their sexual needs completely for the sake of domestic peace.

Magdalena has to wash glasses at her own graduation ball. Rudi, who is in love with her, has to endure the presence of her boyfriend Julian. Julian doesn't have to do anything, but lets his mother look after him. They are united by one wish: To find their own path in life - not an easy task when, firstly, there is no guidance and, secondly, the dear family with all its lived compromises, lost ideals and a good dose of resignation stands in the way.

Berlin in the 1920s is a vibrant metropolis. After the horrors of the First World War, people seek their fortune at parties, in glittering variety theaters and dance halls. So-called "ring clubs" dominate the world of crime. When Inspector Paul Lang finds his friend, public prosecutor Barnekow, dead in the crocodile pool of the Tiergarten, the mastermind seems clear, at least to him: the murder clearly bears the signature of Immanuel Tauss, the former head of the gangster ring "The Crocodiles". But Lang's biggest adversary, Tauss, is in prison. Together with his assistant Conrad Ruppert and his secretary, Lang sets about solving the case and encounters the unscrupulous up-and-comer Viktor Parkov and the fascinating vaudeville owner Irma Berger in Berlin's night world. Another corpse opens up a surprising twist, but Lang is already deeply entangled in his personal duel with Tauss - and himself.