Following the death of their miller father, his eldest son inherits the mill, the middle one a donkey, and the youngest a cat. While initially disappointed, the lad soon learns not only that the cat can talk but is quite resourceful.

Except for Amine and Kimmy, the young couple of neighbors she meets regularly, visitors are rare in Constance Brunel's antique store. Loneliness is also her life. One night, Amine, in a panic, seeks help at her house: Kimmy has fallen badly when she slipped and she has killed herself. Thinking that the police will not believe this version because of his judicial past, Amine borrows Constance's car to take the corpse and make it disappear. In the days that follow, this shared secret brings Constance and Amine closer. But one morning, an anonymous letter accompanied by photos demands a ransom: someone in the building has seen everything, the blackmail begins.

Eight-year-old Judith was plucked from everyday life to act in a film that was made in Paris. After returning home from the experience, she finds that her parents' marriage is on the rocks. She makes her way back to Paris with her friend Nora, and the two of them do what they can to survive.

An illiterate and lonely man bonds with an older and well-read woman.

Philippe meets the beautiful Oksana during a long layover in Moscow. Unfortunately, Oksana is the granddaughter of a murderous mafia don looking to trap a French speaking man to pull off a massive con.

A brilliant and determined female engineer is approached by a network of powerful women with an offer to help become the head of a CAC 40 firm. The conguest, which was at first thrilling, turns to complete war with the men who still dominate.

In Paris, a simple rejected gesture at a movie theater reveals growing cracks between Pierre and Anne. As they go about their daily lives, an unexplained distance threatens their relationship.

It is with a semblance of chronology and to the rhythm of Antoine De Caunes' not unpleasant voice-over that we are told the story of this unusual troublemaker, who, with his extraordinary ease of writing, put the competition light years away in the 1980s. A mini-documentary that reminds us, if it were necessary, that intellectual buffoonery died with Pierre Desproges.

Late 1950s in France. One woman, two men. She, Ève Faugère, a glamorous diva at the peak of her career. The man, her husband, Maurice Faugère, an immense author who made her and propelled her for years to the firmament of the song. And finally the lover, Jean Leprat, her pianist who adores her and burns with passion for her. The atrocious poison of jealousy will consume them to the point of tragedy, the trap of a Machiavellian plot will take them all three. And she, the other one, the so pretty Florence, so fresh. This ambitious young singer, ready to do anything to overthrow the one she admires, is she not also caught in the trap of a diabolical game that is beyond her? Where does the danger come from? Who is orchestrating this fatal merry-go-round engraved in the vinyl of the brand new singles that brings its poisonous message every day? Who will die? Who will survive?