For this austere, clear and sharp telefeature, Judit Elek focused on the last months of Martinovics’ life: his interrogation by the Austrians, the examining Magistrate Schilling in particular, shown as a battle of wits as well as delusions on both sides. Elek had wanted to make this film in the early 1970s, but wasn’t allowed to. When she finally got the chance, the reactions were predictable, as the parallels with recent Hungarian history were simply too obvious for officialdom not to feel anxious. History may not repeat itself, but the variations look eerily similar.

Consistent of only two long shots, three witches predict that Macbeth will ascend to the throne of Scotland. To fulfill this prophecy, Lady Macbeth convinces her husband to murder King Duncan, who has come to spend the night at their home. This crime plunges the new ruler into a macabre spiral that will lead him to sink into guilt and madness.

He starts going, carrying a dinner-can. His eyes are suddenly arrested by the breasts of the girl on the bicycle, riding towards him. Prompted by the strange movements of the girl as well as by seeing another girl in a wheel-chair, his imagination starts working. In his dream, as he follows a young woman dressed in white, he comes to a tunnel. On its wall, which is full of candles, he reads the sign, "Memories Prohibited". Yet he is still able to enter the Tunnel of Memories.

A true story about Johann Georg Elser, a quiet carpenter who tried to assassinate Hitler with an explosive device in 1939.

Turandot by Giacomo Puccini performed in Italian in the Opera di Salerno