When five young students move into an old unoccupied mansion an inexplicable chain of events is set into motion as a mysterious spirit clock begins to tick again. As the story unfolds, revealing each student's dark secrets, the boundary between the real world and the afterlife is no longer clear. Will they find a way to escape or will they be trapped with the spirits forever?

Enda Walsh's play Misterman, written for a solo performer, is a study of one man’s descent into religious mania in small-town Ireland.

Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.

Winter, 1813. Sharpe marries his sweetheart, Jane Gibbons, but has to leave her immediately to go on a dangerous mission in the Pyrenees, to capture a French fort. While Sharpe is battling with the French, his wife contracts a deadly fever which has swept through the British camp and endangers her life. Sharpe encounters his old enemy, Ducos and is compelled to stay at the fort and fight for his country, knowing that even if he survives he may never see his beloved bride again.