The brothers Ubi and Obi live in Lailonia in the city of Ruru. The authority over the city is held by the god Maior. The basic law of the god Maior is that everything for humans is at the bottom, what for the god is at the top. The brothers live according to the laws established by the god Maior, until Obi rebels against them. Soon the brothers separate and Obi dies. For breaking his laws, the god Maior sentences Obi to stay in hell. Ubi also dies, and since he always obeyed the god's laws, he goes to heaven. The brothers are separated even after death. Ubi is not happy in heaven and wants to go to hell. The god Maior, however, does not agree. A revolt breaks out in heaven. God Maior abdicates. From now on, the living and deceased residents of the city of Ruru have to fend for themselves.

A young raspberry ice cream vendor named Gyom lives with his wife Mek-Mek in Lailonia, in the city of Batum. Since he believes that only older men can get good jobs in Lailonia, he decides to change his appearance. He grows a beard and a mustache, but it turns out that this is not enough to be considered an old gentleman. So he buys a bowler hat, glasses, an umbrella and wellingtons. He becomes an old gentleman and thanks to this he gets a job in a hotel as a "removalist" of flowers from vases.

Every morning, a mysterious trombonist plays a concert in one of Warsaw's tenement houses.

South Korean Kim lives alone in Warsaw, Poland, where he teaches taekwondo. His wife and daughter live in Berlin, just six hours away by train, but he's been traveling around Europe for 10 years and hesitates to even send a birthday card to his daughter. One day, he finds the bag of a woman, Yola (Eva Gabriluk), who has been pickpocketed, and the two become close. Another chance encounter with a delinquent young man, Mihau (Pavogiu Bourcik), brings them together, and they become an important part of Kim's life. Through Yola, Kim reconnects with lost feelings of love, and the always-flirtatious and unruly Mihau reminds him of his own restless youth...

Juliusz Słowacki’s drama “Balladyna” is one of the author’s most recognizable works. The television production was directed by Wojciech Adamczyk. The play, written in 1834, arose from a fascination with Slavic culture, and its plot was inspired by Shakespeare’s “A Midsummer Night’s Dream” and “Macbeth.” In his interpretation, Wojciech Adamczyk eschews the ludic elements, giving the story a darker character. The conflict centers on the relationship between two strong female characters: Balladyna and Goplana. Filled with lust, crime, and blood, it’s a story that rivals the emotional depth and richness of Game of Thrones or The Witcher. The world Słowacki describes is dark and dense with passion. The exotic landscape of European pagan mythologies is combined with early Christian aesthetics. Viewers accustomed to “school-style” interpretations of the play will be surprised by the poignantly contemporary vision of human fate in an original approach.