After WW II many young people arrive to Zagreb, among them a young worker Sonja Kacar. She is supposed to participate in the construction of the first generator in the Rade Koncar factory. Because there aren't enough experts and materials in Yugoslavia, the factory counts on help from fellow communist countries, Czechoslovakia and Soviet Union. However, after the Inform Bureau's resolution this help is no longer available. Sonja experiences a great intimate disappointment because Stjepan, who she is in love with, supports Stalin.

A projection of the situation in monarchist Yugoslavia after the infamous Proclamation and the Law on the Protection of the State, when repression and police violence stifled any progressive idea. Inspired by some literary works of Miroslav Krleza.

A young man who long ago gave over the hard work of being a composer for the easy life of a rich man's son is bamboozled into slapping together a musical production. Having borrowed right and left, and plagiarized the works of a friend, he feels cheap, very cheap. He feels even worse when the awful thing is a success.

Marie (Marlene Jobert) is a pretty female physician who attracts the strong romantic interest of two brothers during World War I in this uninspired drama by Gérard Vergez. The brothers meet her when she is on duty in Turkey -- one brother is stationed there and the other becomes her ambulance driver. Since Marie has just lost her husband in combat, she is not at first open to another relationship but finally begins an affair with the older brother. Jealousy rears its ugly head, and the younger and older brother start to compete for her favors. She is eventually separated from the two brothers after the oldest -- imprisoned for supposed sympathy with the Russians -- is sprung from jail. Marie is later imprisoned herself, and it will be a long time before she is able to find out the fate of those she knew during the days of combat, including the two brothers.

The play is set in a painter's studio, where we find Nobel Prize author Wolfgang Schwitter, who has died and come back to life, as he will a second time in the course of the play. Declared clinically dead, Wolfgang Schwitter has fled the hospital, with its doctors and gadgets, to Nyffenschwander's studio, where years before he had begun his literary career and where he now wants to die, yet cannot.