In one fairytale land, people lived contentedly for many years, they had their usual joys and worries, they enjoyed the surrounding nature, the majestic forest. In addition to wild animals, birds and butterflies, fairies, goblins, dwarves and other magical and more or less charming creatures, invisible to the human eye, lived here. The rulers of the forest gave the strigóns Bendegúz and Sebela a magical stone that had the power to fulfill human wishes. The Strigôn made a bet whether people would abuse the power of the magic stone or use it for good deeds. Accompanied by the butler Vendelín and sister Júlia, the young count Henrich arrives at the estate, whose task is to improve the property and learn how to farm. Henrich, who has huge debts and a lot of negative character traits, has a different intention. He decides to cut down the forest. However, not only the inhabitants of the forest stand in his way, but also the miller Matúš and his sister, Countess Júlia.

At the centre of Peter Patzak's existentialist film noir stands the hopeless struggle against the arms mafia in Czechoslovakia and its connections with Austria after the fall of the iron curtain.

This adaptation of the classic 18th century novel depicts the carefree life of a noble society that has lost its historical relevance and perspective. The young nobleman de Meilcour narrates his entry into social life and the uncertainties he experiences. He searches for pure love, but does not find it in a corrupt world. He encounters vice, coldness, cynicism and pretense.

The story is based on the situation in the housing estates, where parties of children who don't know how to spend their free time proliferate.

A romantic-adventure set in early 14th-century Slovakia, where the powerful lord Matúš Čák Trenčiansky encounters figures drawn from Hurban, Pauliny-Tóth, Záborský, and Jége. As love and loyalty intertwine with political intrigue, their intertwined fates lead to the pivotal Battle of Rozhanovce in 1312, revealing Matúš’s struggle to reconcile personal passions with the wider destiny of his region in European history.

A television production of F. Schiller's comedy with the eloquently ambiguous subtitle How to Arrange Happiness in Life. A story about a social parasite, schemer and hypocrite who shamelessly abuses human gullibility and good-naturedness for the benefit of his own selfish interests. The focus of this comedy lies primarily in the socio-psychological analysis of arivism and unprincipled careerism as negative social phenomena, personified in the figure of a ministerial official.