The year 1929. A “shock worker” from a tractor plant visits a film studio premises and is furious to see fake stage designs for a kitsch production about a Soviet life. He refuses to help the crew with his tractor, but is happy to ask one of the cameramen to go with him to visit an actual Soviet village. There they witness the birth of the kolkhoz and the dekulakization of wealthy villagers. Then they are transported to the future, to the year 1932, when the first five-year plan is done and the commune-sovkhoz is established. Movies can move faster than time, but the pace of change in Soviet society is even faster than that. In the movie, the entrance gate of the Odesa film factory, where all of the indoors scenes were shot, can be seen. The outdoors scenes were filmed all over Eastern Ukraine and Southern Russia (Kuban): at Kharkiv factories, in Ukrainian villages and in the 240 ha-sovkhoz “Gigant” in Rostov region, the latter representing the future after the five-year plan.

The defeated remnants of vile Ukrainian nationalists, headed by the leader of the Ukrainian liberation movement, Symon Petliura, cannot accept their historical fate and are plotting an insurrection against the Soviet regime in Ukraine. There is nothing Petliura and his cohorts would not do to win back control over Ukraine, including selling it to the highest bidder, in this case, the Polish dictator Jozef Pilsudski. A group of plotters are coordinating an insurrection in Kyiv with an attack from Poland headed by Petliura’s general Yurko Tiutiunnyk. Predictably, the invincible Red Army defeats the nationalist plotters and proves that the Soviet borders are impregnable.

This revolutionary epic likens the push for industrialization of Soviet Ukraine with the battle for Perekop during the Civil War. A missing plow blade is presented as a symbol of the country's backward peasant economy that needs to be transformed in the course of the industrial construction. In an onslaught of rapidly changing images, Ukrainian village with its peasants suspicious of everything new, dramatically collides with the frenzy of working factories, plants, and mines.

The seamy Jewish underworld of Odesa is the setting for Isaac Babel's story based on the life of gangster king Mishka Yaponchik "Mike the Jap" Vinnitsky. Murder is a way of life for Benya and his gang until he finds himself ensnared in a Bolshevik trap.

A Black American worker travels to the USSR and experiences the racial solidarity of Soviet life.

At the "Pupky" station, an opportunity occurs: two illegal passengers - guinea pigs - have to be disembarked from one of the trains, since animals cannot be transported in a general carriage. The head of the station Pryvychkin tries to help the animals, but the situation is beyond his control. The audit committee sets out to investigate the unpleasant incident... This witty satirical comedy, in which bureaucracy, bourgeoisie and provincialism are mocked, continued the development of the domestic comedy genre in Ukrainian Soviet cinema.

A Soviet film about construction workers.

The film tells the story of an ordinary guy Anton Kandidov. First he works on agricultural work — transports on boat on Volga watermelons. Noticing how deftly Anton catches and loads watermelons, he is told that he could become a goalkeeper and play football. And he decides to follow the advice. On the way to the glory of the goalkeeper and waiting for his victory and disappointment.

An agitprop film about children's participation in socialist competitions and the struggle to fulfill the industrial and financial plan.