A war drama about a German officer's search for a priceless art collection.

Vladimir Kante, a high-ranking police official whom everyone refers to simply as "Doc" or "the Doctor" remains in office after the Italian occupation, but soon establishes ties with the Liberation Front. His hard work as a double agent pays off with many lives saved and a number of the enemy's plans revealed to the resistance. When the Germans march into Ljubljana (after the Italian capitulation), the Doctor continues with both his official and his secret work, but is caught by the Germans shortly before the end of the war. Will the Doctor remain loyal to his mission until the end, despite the death threats and brutal torture he is subjected to?

The life of a man who dared to unfold the corruption and mismanagement in his factory takes a wrong turn as his marriage ends, his lover leaves him and he finds himself in a psychiatric hospital. After completing his stay in this mental institution, the gates of the factory are now closed for him. Will he be forced to apologize, or blood must be shed?

On the Flies of the Market Place deals with the idea of the European space, divided and sacrificed. In a visually surreal world of facts and emotions—using documents from books and magazines—the video suggests a re-reading of the European space, i.e. Eastern and Western Europe. Referencing history, philosophy (Kant), and art, the video elaborates on the idea of Eastern Europe as the indivisible residua of all European atrocities. Eastern Europe is a piece of shit and the bloody symptom of the political, cultural, and epistemological failures of the 20th century.

This video features no words, only music and images. Ema Kugler describes the moving images as: “They are like a dark, surrealist dance of everyman with his own death. I have seen all these images. They came from the darkness of my subconsciousness, colonized me and obsessed me.” The video shows images, which together with the accompanying music give an impression of the infinite and the divine and being sucked into an abyss from where there is no return. The images bring us to the edge of our existence and twist us in the darkness of the subconscious and inevitable oblivion. There are no words or speech in the video, only music and images but the storyline is clear nevertheless. The images are silent witnesses to our imprisonment in the world of automatism – bureaucracy and authority – god and ruler who lead us into pointless wars, killing and death. Individuals are helpless prisoners of these forces.