How does the vision of the brilliant Spanish filmmaker Luis García Berlanga (1921-2010) remain relevant in a time whose popular culture has little to do with his own? Since to understand the secrets of an artist it is essential to know the person behind, his family, his friends, his collaborators, as well as prestigious filmmakers and actors trace a collective portrait of a creator as singular as he is universal.

"I don't love you either, but we can be friends... Since you've killed me... at least stay with me a few more days." A story of reincarnation.

Víctor is a film director who is overcome by his own misfortunes. He is an alcoholic, unemployed and terribly depressed, largely because of the death of his wife. However, Victor is still the best in one thing: telling fantastic stories to his nine-year-old son, Ingmar. These stories are each of the scripts he dreams of directing in the future, when he gathers all the necessary resources. Victor and Ingmar share a present full of sadness and precariousness, but also full of robots and locations of films they have seen together. Despite forming a great team, their problems will multiply when others begin to question their role as a father.

Every Sunday, Mary, Alice and Joan, three long-time friends, find themselves at the pool to talk about their love affairs. Mary, who is a stockbroker, leads her love life with meetings. One night she is raped by Franck in a nightclub toilet. The young woman then discovers she is pregnant. Alice, a student dominated by an authoritarian father, she has difficult relationship with men. She meets a painter who wants to make her his model. Jeanne lives a dreary relationship with her husband and decides to work and earn a living through prostitution.