Directing
Ivan Pokorný (born in 1952 in the Czech Republic) is an actor. He graduated in Acting from the Theatre Faculty of the Academy of Fine Arts and in 1976-1983 and worked as an actor in various Czech theatres. He also had several roles in film and on television. In 1983 he emigrated to Austria, worked as a lecturer at the Vienna Conservatory and in 1984-1998 as a director in Austrian and German theatres. In 1995 he decided to return to the Czech Republic and has been working mainly as a director of TV-films since then. He also makes documentaries and is particularly interested in themes connected with the cultural history of his country. In some projects he takes part as a producer or co-producer.

The trenches of World War I provide for a captivating backdrop to the drama of Corporal Hoferik. In his devotion to the Habsburg Monarchy, he fanatically carries out his military orders, but he ultimately suffers the Empire's disfavor.

Rock concerts used to be suspicious. They were supposed to attract all sorts of strange individuals who meant no good. In this case, it's a pair of escaped convicts who want to hide in the heat of the concert...

A comedy concerning a down on his luck bookshop owner with a penchant for women who decides to make some money by pretending to be a waiter and collecting cash from unsuspecting diners.

The dreaded Italian mafioso, Marian Labuda, will also be convinced. Mafioso Carmello was guilty of the principles of his organization when he tried to fool the boss and earned a death sentence. The convict runs away from the killer through Vienna to Prague, which his Austrian colleague in crime recommended as a safe hiding place. None of them knows that the Czechs learned so much tricks under real socialism that a seasoned Italian professional is not enough to watch.

The story takes place in a retirement home and creates a mosaic of the lives of old people who are trying to find a relationship with themselves and with life in these specific conditions. Each of its residents has a distinctive approach to life and its basic values. The most interesting features of the title, which is marked by a visibly cold production approach, are the worthy performances of the actors of the older generation. Some of them appeared in front of the camera after many years and unfortunately for the last time.

Hrích boha (God's Sin) is Agnieszka Holland's poetic vision of the world as a trap, based on the novel by Isaak Babel.
The story of a divorced couple whose "bond," whether pleasant or not for both former partners, remains their teenage son. Problems with him, or rather with his passion for graffiti, as well as a series of unexpected life paradoxes, including one sweet secret, force both former spouses to act against all conventions and surprise not only those around them, but also themselves.

A seemingly harmless fit of jealousy between two lovers brings about an increasingly sinister entanglement of events. Hidden secrets are revealed, sly lies are decoded, and eventually the characters begin to show their true colors. In this thriller, gripping until the last minute, nothing is as it appears to be at first sight

A seemingly harmless fit of jealousy between two lovers brings about an increasingly sinister entanglement of events. Hidden secrets are revealed, sly lies are decoded, and eventually the characters begin to show their true colors. In this thriller, gripping until the last minute, nothing is as it appears to be at first sight

A modern fairy tale with an adventure story takes the viewer to an exotic island where lives a king who has twelve daughters. The youngest of them is courted by the dangerous pirate Za Bié Ocradé and the orphan George, who has been entrusted with this task by his master Prince Honorad. George falls in love with the beautiful princess and must struggle with his conscience to decide whether he prefers love or obedience.

In a Czech school friendship grows between a teacher and a student. The friendship turns into an intimate relationship. Till the student begin to blackmail the teacher.

Ghetto No. 1 is Chanov. Chanov is a Roma ghetto. It is synonymous with helplessness, powerlessness, a mixture of hypocrisy and well-intentioned efforts to solve the so-called Roma question. Chanov, our nightmare, our remorse, our guilty conscience. But also narrow-mindedness, aggression, hopelessness. If someone says they live in Chanov, they are automatically placed at the bottom of the social ladder. It is an indelible stigma. Chanov is a very hot spot – a place with above-average crime rates, 95% unemployment, and nearly $80 million in rent debt. The images that Chanov offers speak for themselves. In the film, I do not want to accuse anyone (to be honest, I don't know whom), nor do I offer enlightened solutions (I doubt that any exist). The purpose of the documentary is to look behind and allow others to look behind an invisible but painfully tangible border in the heart of a borderless Europe.

Ghetto No. 1 is Chanov. Chanov is a Roma ghetto. It is synonymous with helplessness, powerlessness, a mixture of hypocrisy and well-intentioned efforts to solve the so-called Roma question. Chanov, our nightmare, our remorse, our guilty conscience. But also narrow-mindedness, aggression, hopelessness. If someone says they live in Chanov, they are automatically placed at the bottom of the social ladder. It is an indelible stigma. Chanov is a very hot spot – a place with above-average crime rates, 95% unemployment, and nearly $80 million in rent debt. The images that Chanov offers speak for themselves. In the film, I do not want to accuse anyone (to be honest, I don't know whom), nor do I offer enlightened solutions (I doubt that any exist). The purpose of the documentary is to look behind and allow others to look behind an invisible but painfully tangible border in the heart of a borderless Europe.

Ghetto No. 1 is Chanov. Chanov is a Roma ghetto. It is synonymous with helplessness, powerlessness, a mixture of hypocrisy and well-intentioned efforts to solve the so-called Roma question. Chanov, our nightmare, our remorse, our guilty conscience. But also narrow-mindedness, aggression, hopelessness. If someone says they live in Chanov, they are automatically placed at the bottom of the social ladder. It is an indelible stigma. Chanov is a very hot spot – a place with above-average crime rates, 95% unemployment, and nearly $80 million in rent debt. The images that Chanov offers speak for themselves. In the film, I do not want to accuse anyone (to be honest, I don't know whom), nor do I offer enlightened solutions (I doubt that any exist). The purpose of the documentary is to look behind and allow others to look behind an invisible but painfully tangible border in the heart of a borderless Europe.
A dramatic contemporary story with elements of a political thriller and a strong ethical message. On a foggy, smoggy winter day, a group of terrorists hijacks a Prague bus with four passengers and the driver. They declare that they will hold the hostages until the government and parliament meet their demand to change the air pollution law. The drama of the hostages lasts one night and two days, during which a series of dramatic situations unfold. The plot takes us into the attractive world of high politics and the homes of ordinary people who are directly affected by the hijacking. Gradually, the film's fundamental question comes to the fore: Is it possible to resort to extreme measures, i.e., violence, in order to achieve environmental goals? Is it possible to achieve a cause that benefits everyone through terrorism?

In love with a girl that smells of oranges while in a complicated relationship with his father, Darek is gentle, strong and devoted to his little sister and their herd of horses. Darek's world is a story about the joy and pain of growing up in the isolated yet beautiful Lusatian Mountains. Here, horses are not expensive specimens of racing stables but beings you should care for and love. Not even that is enough in life though, as Darek finds out nearing the Summer's end, closing his childhood definitely. However, just like any ending, this is a start of something new.