
Acting
Ivan Ilyich Mozzhukhin, usually billed using the French transliteration Ivan Mosjoukine, was a Russian silent film actor, writer and director. Born in Kondol, in the Saratov Governorate of the Russian Empire (present-day Penza Oblast in Russia), Ivan Mozzhukhin was the youngest of four brothers. His mother Rachel Ivanovna Mozzhukhina (née Lastochkina) was the daughter of a Russian Orthodox priest, while his father Ilya Ivanovich Mozzhukhin came from peasants and served as an estate manager for the noble Obolensky family. While all three elder brothers finished seminary, Ivan was sent to the Penza gymnasium for boys and later studied law at the Moscow State University. In 1910, he left academic life to join a troupe of traveling actors from Kiev, with which he toured for a year, gaining experience and a reputation for dynamic stage presence. Upon returning to Moscow, he launched his screen career with the 1911 adaptation of Tolstoy's The Kreutzer Sonata. Mosjoukine's most lasting contribution to the theoretical concept of film as image is the legacy of his own face in recurring representation of illusory reactions seen in Lev Kuleshov's psychological montage experiment which demonstrated the Kuleshov Effect. In 1918, the first full year of the Russian Revolution, Kuleshov assembled his revolutionary illustration of the application of the principles of film editing out of footage from one of Mosjoukine's Tsarist-era films which had been left behind when he, along with his entire film production company, departed for the relative safety of Crimea in 1917. At the end of 1919, Mosjoukine arrived in Paris and quickly established himself as one of the top stars of the French silent cinema, starring in one successful film after another. Handsome, tall, and possessing a powerful screen presence, he won a considerable following as a mysterious and exotic romantic figure. Mosjoukine's film stardom was assured and during the 1920s, his face with the trademark hypnotic stare appeared on covers of film magazines all over Europe. He wrote the screenplays for most of his starring vehicles and directed two of them, L'Enfant du carnaval (Child of the Carnival), released on 29 August 1921 and Le Brasier ardent (The Blazing Inferno), released on 2 November 1923. The leading lady in both films was the then-"Madame Mosjoukine", Nathalie Lissenko. Brasier, in particular, was highly praised for its innovative and inventive concepts, but ultimately proved too surreal and bizarre to become financially successful. Ivan Mosjoukine died of tuberculosis in a Neuilly-sur-Seine clinic. All available sources give his age as 49 and year of birth as 1889. However, his gravestone at the Russian cemetery in the Parisian suburb of Sainte-Genevieve-des-Bois is inscribed with the year 1887.

An experiment in editing. This entry refers to both the initial, likely lost 1919 experiment, created using footage of Ivan Mosjoukine, and the later surviving recreation featuring two unknown actors.





A desperate mother abandons her child on the door step of a playboy.

The brilliant and dramatic fate of the great Russian actor Ivan Mozzhukhin, who became a star of French cinema, against the background of the life of the European Bohemians of the 1920s and 30s. Love and business correspondence, photographs, notebooks, documents of the actor are presented on the screen for the first time.

A commander suspects his wife of infidelity, when she turns to a subordinate officer to help her against someone threatening to blackmail her about her troubled past.


Talkie remake of a 1927 silent about the adventures of the notorious womaniser and venetian adventurer Chevalier Giacomo Casanova. Action starts in Venice and then the plot takes Casanova to France and Russia.

A woman, named simply "Elle" and her husband, a wealthy industrialist, are not on the best of terms. While she enjoys the way he caters to her every whim, she wonders whether he really loves her. He, on the other hand, torments himself by imagining rivals. One morning she awakens from a nightmare in which she has been pursued by a man in various guises, who turns out to be the famous Detective Z, whose memoirs she has been reading. When she and her husband quarrel over leaving Paris permanently for a country estate, he goes to the "Trouve Tout" Agency and hires, of all people, Detective Z, to win back her affection.

A desperate mother abandons her child on the door step of a playboy.

The marquis de Granier would like his son Charles to end his current relationship for a respectable marriage. His younger brother Octave tries to help but Yvonne Lelys tricks him and he nearly leaves his family for the dancer. He even follows her to Constantinople. He falls asleep while writing to his father and dreams that he is a movie actor who, driven by poverty, sneaks into his father's home to rob him. As his father catches him, he kills him. Thankfully, it was all a dream.

In the kingdom of the Moguls, Prince Roudghito-Sing, a young officer of the palace, falls in love with Zemgali, a captive princess held prisoner and coveted by the Grand Khan. Fleeing the country, he takes refuge in Paris and his presentability allows him to be hired as an actor by a French film company. The trouble is that Anna, the star of the movie, is attracted to him. Which displeases banker Morel, the producer and Anna's lover... Written by Guy Bellinger

A woman, named simply "Elle" and her husband, a wealthy industrialist, are not on the best of terms. While she enjoys the way he caters to her every whim, she wonders whether he really loves her. He, on the other hand, torments himself by imagining rivals. One morning she awakens from a nightmare in which she has been pursued by a man in various guises, who turns out to be the famous Detective Z, whose memoirs she has been reading. When she and her husband quarrel over leaving Paris permanently for a country estate, he goes to the "Trouve Tout" Agency and hires, of all people, Detective Z, to win back her affection.


By 1820, Edmund Kean is the most admired Shakespearan actor. But if his art is peerless, his free lifestyle is ill thought of, particularly by the high society. Kean has fallen passionately in love with Countess Elena de Koefeld, the wife of the ambassador of Denmark. Elena loves him too but hesitates to give up her rank in society and follow Kean. On the other hand, Anna, a rich heiress who refuses to marry Lord Mewill, the husband chosen by her parents, confesses her love for Kean and decides to become an actress like him... The aristocrats, outraged by Edmund's profligate ways, decide to boycott his performances and his career is broken. Kean does not recover from such a blow and, on a stormy night, dies in Elena's arms.

Julien Villandrit is the owner of the estate of Les Basses-Bruyères and its textile factory, where the manager is his childhood friend Corradin. Julien marries his neighbour Régine, unaware that Corradin also loves her. Julien is sent to gaol for a murder actually committed by Corradin. The only witness to the truth is the woodsman Rudeberg and Corradin buys his silence by paying for the education of his son Pascal. Julien's struggle to clear his name and to rescue Régine and their daughter Christiane from Corradin's scheming extends over many years and faces many setbacks.

Directed by Yakov Protazanov.

A foundling is left in front of the home of a rich aristocratic bachelor during the Nice carnival. The marquis adopts the child but soon finds that he cannot cope, so he employs a nanny who turns out to be the child's real mother. Just as the two have fallen in love and there is a happy ending in sight, the woman's husband - long thought dead - turns up.
